Our Daughters, Like Pillars Digital Performance
Now through May 22, 2022
A stunning, epic story about the joys and tensions of sisterhood
By Kirsten Greenidge | Directed by Kimberly Senior
The Huntington Calderwood/BCA, 527 Tremont St.
This event has passed
Content Warning: Our Daughters, Like Pillars contains the use of herbal cigarettes on stage, and a brief moment of strobe.
Approximate run time: 3 hours and 30 minutes with two intermissions
If you ever feel as if you would rather not see Our Daughters, Like Pillars in person – for any reason – you can easily exchange your in-person tickets into a specially recorded version of the play. Just call us at 617-266-0800 or email tickets@huntingtontheatre.org.
OR, you can purchase tickets to the digital version of Our Daughters, Like Pillars now. We are planning a multi-camera shoot at an early performance of this production and expect that this recording will be available for streaming in mid- to late-April.
Lavinia is bringing her sisters and mother on a much-needed family vacation. She has planned the week to the smallest detail – antiquing in the afternoons, grilled steaks for dinner, absolutely no cellphones allowed – and if Lavinia gets her way, they will stay forever. What will her sisters have to say? An epic and funny saga about a contemporary Black family from Boston local Kirsten Greenidge (Luck of the Irish), Our Daughters, Like Pillars asks about the ties that bind us to our families. How do sisters hold each other up and hold each other back? Will togetherness split this family apart, or can it bring them together? Kimberly Senior (Sweat, The Niceties) directs.
Cast and Crew
Kirsten Greenidge
Playwright
Kirsten Greenidge
Kirsten Greenidge, she/her, is a Huntington Playwriting Fellow from 2007-2009 and the author of Our Daughters, Like Pillars, Milk Like Sugar and Luck of the Irish (The Huntington), as well as The View from Here (commission from The Huntington’s Education Department).
Kimberly Senior
Director
Kimberly Senior
Kimberly Senior she/ her (Director) is thrilled to return to the Huntington where she previously directed Lynn Nottage’s Sweat and Eleanor Burgess’ The Niceties.
Lyndsay Allyn Cox
Zelda Shaw
Lyndsay Allyn Cox
Lyndsay Allyn Cox is in her second season at The Huntington. Huntington acting credits: Common Ground Revisited, Our Daughters, Like Pillars, and Witch. Huntington directing credits: Joy and Pandemic (Associate Director). Select regional acting: Fairview, Men on Boats (SpeakEasy Stage) Fabulation, Barbecue and By The Way, Meet Vera Stark (Lyric Stage Company); Bright Half Life (Actors’ Shakespeare Project); Three Musketeers (Greater Boston Stage Company); Winter People (Boston Playwrights’ Theatre); Leftovers and The Overwhelming (Company One Theatre).
Julian Parker
Paul King
Julian Parker
Julian Parker he/him (Paul King) is making his Huntington Theatre debut. Chicago: Pass Over, Gospel of Franklin, Blacktop Sky, Head of Passes (Steppenwolf Theatre Company), An Octoroon, Genesis, Dutchman, The Brothers Size (Definition Theatre Company)
Nikkole Salter
Lavinia Shaw Williams
Nikkole Salter
Nikkole Salter (Lavinia Shaw Williams) Huntington: Stick Fly. Off-Broadway: In the Continuum (Primary Stages, Perry Street Theatre). Regional: Head of Passes (Berkeley Repertory Theatre), Macbeth (Shakespeare Theatre).
Cheryl D. Singleton
Missy Shaw
Cheryl D. Singleton
Cheryl D. Singleton, she/her (Missy Shaw) Huntington: Sonia Flew (u/s). Regional: The Boston Project: Project Resilience (SpeakEasy Stage Co.), The America Plays (Plays in Place), James and the Giant Peach and Billy Elliot the musical (Wheelock Family Theatre)
Arie Thompson
Octavia Shaw Curtis
Arie Thompson
Arie Thompson she/her (Octavia Shaw Curtis) Off-Broadway: Henry V (Public Theater/Shakespeare in the Park), Dead City (Public Theater), HONKY (Urban Stages), Queen for a Day (Theater at St. Clements).
Lizan Mitchell
Yvonne Shaw
Lizan Mitchell
Lizan Mitchell (Yvonne Shaw) Broadway: Electra, Having Our Say, So Long on Lonely Street. Off Broadway: The First Noel, Brownsville Song, Cell, Rosmersholm, For Colored Girls (25th Anniversary), Gum, Ma Rose, Salt.
Postell Pringle
Morris Williams
Postell Pringle
Postell Pringle (Morris Williams) Broadway: A Free Man of Color (Lincoln Center Theater). Off Broadway: Othello: The Remix (Westside Theater),The Urban Retreat (The Public Theater), The Seven (New York Theater Workshop), Song for New York (Mabou Mines), LINDA (Manhattan Theater Club), Hoodoo Love (Cherry Lane Theater), Moliere Turns 400 (FIAF/Moliere In The Park).
Sarita Fellows
Costume Design
Sarita Fellows
Sarita Fellows Sarita Fellows wasborn in Freetown, Sierra Leone. The Huntington: Our Daughters Like Pillars. Broadway: Death of a Salesman. Off Broadway: Elyria (Atlantic Theater Company); A Bright Room Called Day (Public Theater).
Mary Louise Geiger
Lighting Design
Mary Louise Geiger
Mary Louise Geiger (she/her) (Lighting Design) The Huntington: Top Girls, Venus in Fur (IRNE Award), Invisible Man (IRNE Award), Burn This.
Tommy Kurzman
Wig/Hair & Makeup Design
Tommy Kurzman
Tommy Kurman Huntington: Our Daughters, Like Pillars. Broadway: Macbeth, Mrs. Doubtfire, All My Sons, True West, St. Joan, My Fair Lady, Little Foxes, Long Day’s Journey, Bright Star, and Fiddler on the Roof.
Ashley Pitchford
Assistant Stage Manager
Ashley Pitchford
Ashley Pitchford The Huntington: John Proctor is the Villain, The Heart Sellers, Fat Ham, Joy and Pandemic, Joe Turner’s Come and Gone, Our Daughters, Like Pillars, Teenage Dick, Witch, We All Fall Down, Man in the Ring. Regional: The Winter’s Tale, Macbeth, Much Ado About Nothing, The Tempest, Richard III (Commonwealth Shakespeare Company); A Strange Loop (SpeakEasy Stage); Seven Guitars (Actors’ Shakespeare Project); The Taming of the Shrew (Lanes Coven Theatre Company); Create. Inspire. Change Theatre Company; Happy Madison Productions. Education: BFA Stage Management.
Kevin Schlagle
Production Stage Manager
Kevin Schlagle
Kevin Schlagle is the Resident Producer and has worked on over 40 productions in 14 seasons with The Huntington, many times as a stage manager, including The Band’s Visit, Prayer for the French Republic, Joy and Pandemic, K-I-S-S-I-N-G, Witch, The Purists, Yerma, Merrily We Roll Along, Ripcord, Topdog/Underdog, Sunday in the Park with George, Milk Like Sugar, A Confederacy of Dunces, A Little Night Music, Smart People, Our Town, and Prelude to a Kiss.
Jane Shaw
Sound Design and Original Music
Jane Shaw
Jane Shaw The Huntington: The Art of Burning, Our Daughters Like Pillars. New York: Roundabout, Playwrights Horizons, Manhattan Theatre Club, Theatre for a New Audience, Mint Theater Company, National Black Theatre, Repertorio Español, NYTW, Cherry Lane Theatre, The COOP, Bedlam. Regional: The Alley, The Guthrie, Hartford Stage, Cleveland Play House, The Old Globe, Mark Taper Forum, Philadelphia Theatre Company, Two River Theater, Seattle Rep, Milwaukee Rep, Alabama Shakespeare Festival, Asolo Repertory Theatre, Dorset Theatre Festival, ACT, ART, Theatreworks Silicon Valley, Capital Rep, Northern Stage.
Marion Williams
Set Designer
Marion Williams
Marion Williams (Set Designer) is a New York based Scenic and Costume designer working in Theatre, Dance and Opera.
Alaine Alldaffer
Casting
Alaine Alldaffer
Alaine Alldaffer, she/her (Casting) Huntington: numerous credits since 2000. New York: casting director for Playwrights Horizons, where credits include Grey Gardens (also for Broadway), Clybourne Park (also for Broadway), Circle Mirror Transformation (Drama Desk and Obie awards for Best Ensemble and an Artios Award for casting), The Flick (Playwrights Horizons and Barrow Street Theatre)