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Tom Stoppard

Tom Stoppard Internationally award-winning writer Tom Stoppard’s first play Rosencrantz and Guildenstern are Dead premiered at the National Theatre in 1967. His plays include The Real Inspector Hound, After Magritte, Jumpers, New Found Land, Dogg’s Hamlet, Cahoot’s Macbeth, Travesties, Every Good Boy Deserves Favour (a play for actors and orchestra written with AndrĂ© Previn), Night and Day, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, The Coast of Utopia, Rock ‘n’ Roll and The Hard Problem.

Tom Stoppard Internationally award-winning writer Tom Stoppard’s first play Rosencrantz and Guildenstern are Dead premiered at the National Theatre in 1967. His plays include The Real Inspector Hound, After Magritte, Jumpers, New Found Land, Dogg’s Hamlet, Cahoot’s Macbeth, Travesties, Every Good Boy Deserves Favour (a play for actors and orchestra written with AndrĂ© Previn), Night and Day, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, The Coast of Utopia, Rock ‘n’ Roll and The Hard Problem. His radio plays include Albert’s Bridge, Artist Descending a Staircase, The Dog It Was That Died, If You’re Glad I’ll Be Frank, and most recently, his dramatic imagining of Pink Floyd’s Darkside of the Moon, Darkside.  His adaptations and translations include Undiscovered Country (Schnitzler), On the Razzle (Nestroy), Rough Crossing (Molnar), The Seagull (Chekhov), Henry IV (Pirandello), Heroes (Sibleyras), Ivanov (Chekhov), and The Cherry Orchard (Chekhov). Stoppard is also a writer for film and television and received the Academy Award for the screenplay of Shakespeare in Love, in addition to Brazil, Empire of the Sun, and Enigma.

 

As of  September, 2024.