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Yi Zhao

Yi Zhao designed A Doll's House, Part 2 (2018) and Becoming Cuba (2014) at the Huntington. His New York credits include Pipeline (Lincoln Center Theater), The House That Will Not Stand and Red Speedo (New York Theatre Workshop), Actually (Manhattan Theatre Club), Lynn Nottage's Fabulation, or the Re-Education of Undine and Suzan-Lori Parks’ In the Blood and The Death of the Last Black Man in the Whole Entire World (Signature Theatre), Thunderbodies, Revolt. She Said. Revolt Again. and FUTURITY (Soho Rep). Other regional credits include Berkeley Repertory Theatre, Guthrie Theater, Mark Taper Forum, American Conversatory Theatre, Oregon Shakespeare Festival, Yale Repertory Theatre, Dallas Theater Center, Wilma Theater, and Shakespeare Theatre Company in DC. His designs for opera, music, and dance have been seen at ArtsEmerson, Curtis Institute of Music, Prototype Festival, and Ballet de Lorraine in France. He is a recipient of the 2016 Vilcek Prize for Creative Promise in Theatre. yi-zhao.com

(As of February 2019)

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