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Mark Bennett

Mark Bennett has Huntington credits that include Yerma (2019), Ripcord (2017), A Confederacy of Dunces (2015), Vanya and Sonia and Masha and Spike (2015), The Seagull (2014), Persephone (2007), The Rose Tattoo (2004), and Dead End (2000). Broadway scores include Junk; MacbethVanya and Sonia and Masha and SpikeDriving Miss DaisyA Steady RainThe Coast of Utopia (Drama Desk Award for Outstanding Music in a Play); Henry IVGolda’s Balcony; and The Goat or, Who Is Sylvia?. Off Broadway credits include Nantucket Sleigh Ride and The City of Conversation (Lincoln Center Theater) and An Iliad (Obie Award). Original score credits include eight Shakespeare in the Park productions as well as SocratesThe Seagull, and Dogeaters (The Public Theater and New York Shakespeare Festival), and Mad Forest and My Children! My Africa! (New York Theatre Workshop). Regional theatre productions include The Good Book (Berkeley Repertory Theatre); QueensA Midsummer Night’s Dream (Craig Noel Award), An Iliad (Craig Noel Award), His Gal Friday, and Most Wanted (composer and co-lyricist, La Jolla Playhouse); Twelfth NightGolda’s Balcony, Arms and the Man, and Pygmalion (The Old Globe); and Dead EndWithout Walls, and The House of Bernarda Alba (Center Theatre Group). Mr. Bennett was the composer for Sam Mendes’ The Bridge Project (Brooklyn Academy of Music and The Old Vic Theatre). He is the recipient of a 1998 Obie Award for Sustained Excellence of Sound Design, a 1998 Bessie Award, the Ovation Award, the American Theatre Wing Henry Hewes Design Award, and 14 Drama Desk Award nominations.

(As of July 2019)

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