Anita Yavich (Costume Design) returns to the Huntington after working on Tartuffe (2017), The Colored Museum (2015), The Miracle at Naples (2009), and Boleros for the Disenchanted (2008). Broadway credits include Fool for Love, Venus in Fur, Chinglish, and Anna in the Tropics. New York credits include The View Upstairs (Lynn Redgrave Theater); Oedipus El Rey, Measure for Pleasure, and Kit Marlow (The Public Theater); Macbeth, Coriolanus, and Svejk (Theatre for a New Audience); Big Love, Kung Fu, Golden Child, and Iphigenia 2.0 (Signature Theatre); The Oldest Boy (Lincoln Center Theater); Tales From Red Vienna and The Explorers Club (Manhattan Theatre Club); Legend of Georgia McBride, The Submission, Coraline, and The Wooden Breeks (Manhattan Class Company); Lives of the Saints and All in the Timing (Primary Stages); Nathan the Wise, Caucasian Chalk Circle, Orlando, Venus in Fur, New Jerusalem, and Texts for Nothing (Classic Stage Company). Her opera credits include Cyrano de Bergerac (La Scala, The Metropolitan Opera, and Royal Opera House), Les Troyens (The Metropolitan Opera), and she was the puppet and costume designer for The Sound of Music (Salzburger Marionette Theatre). She was the recipient of an Obie, Lucille Lortel, and Drama Desk Awards.
(As of December 2017)