Breaking Ground 2009 - 2010

Long Season

Book and Lyrics by Chay Yew
Music by Fabian Obispo
Directed by Peter DuBois
Friday, July 24 at 4:00pm
Calderwood Pavilion at the BCA — Roberts Studio Theatre

A musical set against the raw beauty of 1920s Alaska, Chay Yew and Fabian Obispo's Long Season follows a pivotal year in the life of a young pinoy, Allos, one ofthe migrant workers drawn by the promise of a new land. At a factory in Ketchikan, Allos fights to gain the respect of the foreman, the faith of the other workers, and the heart of the foreman's wife. As it captures the fledgling ambition and heart of a group of unionizing workers, Long Season becomes the dangerous, passionate story of a Filipino immigrant in an unforgiving land.

Chay Yew's production credits include the world premiere of José Rivera's Boleros for the Disenchanted at the Huntington, as well as work at The Public Theater, New York Theatre Workshop, The Kennedy Center, Mark Taper Forum, Long Wharf Theatre, Actors Theatre of Louisville, Goodman Theatre, American Conservatory Theater, Oregon Shakespeare Festival, Cincinnati Playhouse in the Park, Portland Center Stage, Geva Theatre Center, Empty Space, National Asian American Theatre Company, Laguna Playhouse in the Park, Theatre at Boston Court, Gala Hispanic Theatre, Singapore Repertory Theatre, Ma-Yi Theater Company, Cornerstone Theater Company, Northwest Asian American Theatre, Walk & Squawk, Highways Performance Space, Pillsbury Playhouse, Smithsonian Institute, and Theatre Rhinoceros. His opera credits include the world premieres of Osvaldo Golijov and David Henry Hwang's Ainadamar (co-production with Tanglewood Music Center, Lincoln Center for the Performing Arts, and Los Angeles Philharmonic) and Rob Zuidam's Rage D’Amors (Tanglewood Music Center). Mr. Yew’s upcoming projects include world premieres of Kenneth Lin’s Po Boy Tango at Northlight Theatre and Robert O’Hara’s Antebellum at Wooley Mammoth Theatre Company. He is also presently editing Version 3.0, an anthology of new Asian American plays for Theatre Communications Group Publications. An alumnus of New Dramatists, he serves on the Executive Board of the Society of Stage Directors and Choreographers. He is a recipient of the Dramalogue and OBIE Awards for Direction. Mr. Yew is a graduate of Boston University.

Fabian Obispo returns to the Huntington where he designed sound and composed music for the world premiere of José Rivera's Boleros for the Disenchanted, directed by Chay Yew, in 2008, and Iphigenia in 1991. His recent Off Broadway credits include Grace, A Very Common Procedure, Last Easter, Intrigue With Faye, Bright Ideas, What of the Night, Oroonoko, The Children of Vonderly, Durango, The Right Kind of People, No Foreigners Beyond this Point, The Romance of Magno Rubio, Two Sisters and a Piano, and The Square. Regionally, he has designed and composed for Arena Stage, Guthrie Theater, Goodman Theatre, D.C.’s Shakespeare Theatre Company, The Kennedy Center, Folger Theatre, Oregon Shakespeare Festival, American Conservatory Theater, Seattle Repertory Theatre, Cincinnati Playhouse in the Park, Indiana Repertory Theatre, Hartford Stage, Long Wharf Theatre, Syracuse Stage, New York Stage & Film, Westport Country Playhouse, Asolo Repertory Playhouse, and Perseverance Theatre, among others. His work has been recognized with the American Theatre Wing’s Hewes Design Award, as well as Helen Hayes, Barrymore, NAACP, Jackie, and Bay Area Critics Circle award nominations.

Peter DuBois is in his sixth season as Artistic Director at the Huntington where his directing credits include the world premieres of Evan M. Wiener’s Captors, Stephen Karam’s Sons of the Prophet, Bob Glaudini’s Vengeance is the Lord’s, David Grimm’s The Miracle at Naples, the regional premieres of Gina Gionfriddo’s Becky Shaw and Rapture, Blister, Burn, and Craig Lucas’ Prelude to a Kiss. In the 2013-2014 Season he will direct the regional premiere of Stephen Belber’s The Power of Duff and the world premiere of HPF Lydia R. Diamond’s Smart People. His West End/London credits include All New People with Zach Braff (Duke of York’s Theatre) and Becky Shaw (Almeida Theatre). His New York credits include Sons of the Prophet (Roundabout Theater Company; Lucille Lortel Award for Outstanding Play); Rapture, Blister, Burn (Playwrights Horizons); Modern Terrorism, Becky Shaw, Trust with Sutton Foster, and All New People (Second Stage Theater); Measure for Pleasure, Richard III with Peter Dinklage, Mom How Did You Meet the Beatles, and Biro (Public Theater/NYSF); Jack Goes Boating with Philip Seymour Hoffman and The View From 151st Street (LAByrinth Theater Company/Public Theater); and The Power of Duff with Greg Kinnear (New York Stage and Film). Regional US and UK credits include productions at American Conservatory Theater, Trinity Repertory Company, Humana Festival of New Plays, Manchester Opera House, and Kings Theater Glasgow. He previously served as associate producer and resident director at The Public Theater and artistic director of the Perseverance Theatre in Juneau, Alaska. Prior, Mr. DuBois lived and worked in the Czech Republic where he co-founded Asylum, a multi-national squat theatre in Prague. His productions have been on the annual top ten lists of The New York Times, Time Out, New York Magazine, The New Yorker, Newsday, Variety, Entertainment Weekly, The Evening Standard, and Improper Bostonian.

 

Deported / a dream Play

by Joyce Van Dyke
Directed by Judy Braha
Monday, August 3 at 7:00pm
Calderwood Pavilion at the BCA — Carol Deane Rehearsal Hall

Elmas and Varter save each other's lives during the Armenian genocide. After they come to America, their story leaps across time and space, ending in a dream world of the future where Armenians, Turks, the living, and the dead commingle.

Joyce Van Dyke received the 2009 Elliot Norton Award for Outstanding New Script for The Oil Thief, which was commissioned by the Ensemble Studio Theatre/Alfred P. Sloane Foundation Science and Technology Project, and received its premiere in 2008 at the Boston Playwright's Theatre. Her play A Girl’s War premiered at New Repertory Theatre in 2003. She has been developing Deported, a true story about her grandmother, with director Judy Braha and a company of actors for two years through improvisation, taped interviews of survivors, photos, memoirs, and letters. Her play Deported / a dream play was read as part of the Huntington’s 2009 Breaking Ground Festival of New Work

 

Lizzie Stranton

by Lydia R. Diamond
Directed by Summer L. Williams
Tuesday, August 4 at 7:00pm
Calderwood Pavilion at the BCA — Carol Deane Rehearsal Hall

In Lydia R. Diamond's bawdy reimagining of Aristophanes' even bawdier Lysistrata, a fictional first lady convenes a meeting in 2016 of the most prominent women in the world with a radical scheme to end war.

Lydia R. Diamond is a member of the 2006-07 cohort of Huntington Playwriting Fellows. The Huntington’s 2010 hit production of her play Stick Fly produced in association with Arena Stage inspired the 2011 Tony Award-nominated Broadway production. Awards for Stick Fly include the 2012 Outer Circle Critics Nomination – Best Play [Broadway], 2010 IRNE Award for Best Play, 2010 LA Critics Circle Award for Playwriting, 2010 LA Garland Award for Playwriting, 209 LA Weekly Theatre Award for Playwriting, 2008 Susan S. Blackburn Finalist, 2006 Black Theatre Alliance Award, and 2006 Joseph Jefferson Award Nomination for Best New Work. Her other plays include Voyeurs de Venus (2006 Joseph Jefferson Award for Best New Work, 2006 BTAA for Best Writing); The Bluest Eye(2006 Black Arts Alliance Image Award for Best New Play, 2008 American Alliance for Theatre and Education Distinguished Play Award); The Gift Horse (2005 Theodore Ward Prize, Kesselring Prize – 2nd Place); Harriet Jacobs; and Stage Black. Her work has been produced at Arena Stage, Cort Theatre (Broadway), Chicago Dramatists, Company One Theatre, Congo Square, Everyman Theatre Company, Freedom Theatre, Goodman Theatre, Hartford Stage, Jubilee Theatre, Kansas City Repertory Theatre, Long Wharf Theatre, Lorraine Hansberry Theatre, McCarter Theatre, Mo’Olelo Performing Arts Company, MPAACT, The New Victory Theater (Off Broadway), Playmakers Repertory Company, Plowshares Theatre Company, Steppenwolf, TrueColors, and Contemporary American Theatre Festival. Commissions include: Steppenwolf Theatre Company, Actor’s Theatre of Louisville and the Humana Festival of New American Plays, Victory Gardens Theater, Boston University, and Roundabout Theatre Company. Stick Fly and Harriet Jacobs are published by NU Press, The Bluest Eye, Gift Horse, and Stage Black by Dramatic Publishing, and Stick Fly by Samuel French. She was a 2005-06 W.E.B. Du Bois Institute non-resident Fellow, a 2007 TCG/NEA Playwright in Residence at Steppenwolf Theatre Company, a 2012-13 Radcliffe Institute Fellow, a 2012 Sallie B. Goodman McCarter Fellow, and a 2012 Sundance Institute Playwright Lab Creative Advisor. She is currently co-vice president of Theatre Communication Group’s Board of Directors and a Resident Playwright at Chicago Dramatists. Ms. Diamond is a graduate of Northwestern University where she majored in Performance Studies. She has an Honorary Doctorate of Arts from Pine Manor College and was on faculty at Boston University.

As of April 2014.

 

Jeanie Don't Sing No Mo'

by Jacqui Parker
Directed by Megan Sandberg-Zakian
Wednesday, August 5 at 7:00pm
Calderwood Pavilion at the BCA — Carol Deane Rehearsal Hall

Jeanie, a once-famous blues singer, stopped speaking the day her father died, and she and her Southern family carry the burden of secrets long concealed.

Jacqui Parker is a playwright, a director, an Elliot Norton Award-winning actor, and a six-time recipient of the Independent Reviewers of New England (IRNE) Award, as well as a recipient of the 2004 Boston Theatre Hero Award given by StageSource. In addition to being a 2007-09 Huntington Playwriting Fellow, she is the Artistic Director of the Our Place Theatre Project and the founder of Boston’s annual African American Theatre Festival. Her play Dark As A Thousand Midnights won an IRNE Award for Best Play. Both Dark as a Thousand Midnights and her play Feathers on my Arms ... Zora Neale Flying High premiered at the African American Theatre Festival at the Stanford Calderwood Pavilion. Her play Jeanie Don’t Sing No Mo’ was read as part of the Huntington’s 2009 Breaking Ground Festival of New Work

 

Past Breaking Ground Readings


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South End / Calderwood Pavilion at the BCA: 527 Tremont Street, Boston MA 02116
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