Breaking Ground 2008 - 2009
Music and lyrics by Michael Friedman
Book and lyrics by Daniel Goldstein
Directed by Will Frears
Thursday, April 3 at 7:30pm
This intimate musical centers on the bittersweet tale of two WWII-era lovers separated by time and space. When a modern-era woman discovers their letters, the past becomes present as she enlists the help of a university researcher, and their correspondence begins to mirror that of previous generations. Unknown Soldier is the result of a commission from the Huntington's Stanford Calderwood Fund for New American Plays.
Daniel Goldstein directed God Of Carnage, Falsettos, Les Liaisons Dangereuses, and The Cry of the Reed for the Huntington, and the recent revival of Godspell on Broadway. Regional credits include Snapshots and Hello, Dolly! (Goodspeed Musicals), Tamar of the River (Prospect Theater Company), Gekido (New National Theater: Tokyo), Anna Christie (The Old Globe), and Artificial Fellow Traveler with Ethan Sandler. As a writer, his musical Unknown Soldier (written with Michael Friedman for a Huntington Theatre Company Calderwood Commission) was developed by the O'Neill Musical Theater Conference. Other projects include The Ride (NYC commercial), Golden Boy (The Julliard School), True West (Williamstown Theatre Festival), Miss Margarida's Way (Bay Street Theatre, with Julie Halston), Lower Ninth (The Flea Theater and SPF), and the Off Broadway commercial production of the hit Fringe Festival musical Walmartopia. He served as the associate director for All Shook Up! and Fully Committed and the resident director for the first national tour of Mamma Mia! He is a graduate of Northwestern University.
Sense of an Ending
by Ken Urban
Directed by Evan Cabnet
Friday, April 4, 8:00pm
An African-American journalist arrives in Rwanda to uncover dark truths about an act of genocide. The trip becomes something more troubling, however, when he finds he may be part of the story. After he meets a survivor, the journalist struggles to understand the nature of man's inhumanity, and to find the path that returns us to the best versions of ourselves.
Ken Urban is a playwright and screenwriter based in New York. He is a Huntington Playwriting Fellow and his plays have been produced and developed at the Huntington, Rattlestick Playwrights Theatre, Summer Play Festival at The Public Theater, Donmar Warehouse (London), 59E59 Theatres, Epic Theatre Ensemble, Studio 42, Theatre @ Boston Court, Williamstown Theatre Festival, Playwrights Horizons, Irish Repertory Theatre, Primary Stages, Stable Cable. In 2015, A Future Perfect received its world premiere at SpeakEasy Stage Company and Sense of an Ending opened in London at Theatre503 in May. Awards include the Weissberger Playwriting Award, Headlands Artist Residency, Djerassi Artist Residency, Dramatist Guild Fellowship, and MacDowell Colony Fellowships. He is a core writer at the Playwrights’ Center and a company member of Rising Phoenix Rep. He wrote the screenplay for The Happy Sad, which screened internationally at over 25 film festivals and is now available on Netflix and iTunes.
(As of June 2015)
by Mat Smart
Directed by Melia Bensussen
Saturday, April 5, 2:00pm
A family crisis ensues when a mysterious girl appears in Jacob Thomas' quirky repair shop. She's blue — literally and figuratively — and as she attempts to "come clean," the relationships around her are thrown into chaos. Things left unsaid begin to fester and rot, and she proves she might be the only one who knows how to fix what's long been broken. Thomas Repair is the result of a commission from the Huntington's Stanford Calderwood Fund for New American Plays.
Melia Bensussen is the recipient of an Obie Award for Outstanding Direction. Her Huntington credits include the upcoming Awake and Sing (2014), as well as The Luck of the Irish (2012) and Circle Mirror Transformation (2010). Her directing credits include work with Merrimack Repertory Theatre, Actors' Shakespeare Project, La Jolla Playhouse, Baltimore Centerstage, Hartford Stage, Oregon Shakespeare Festival, New York Shakespeare Festival, MCC Theater, Primary Stages, Long Wharf Theatre, Actors Theatre of Louisville, and People's Light and Theatre Company, where she received a Barrymore Award nomination for Best Direction, and many others. She has received two Directing Awards from the Princess Grace Foundation, including their top honor, the Statuette Award for Sustained Excellence in Directing. Her edition of the Langston Hughes translation of Garcia Lorca's Blood Wedding is published by Theatre Communications Group. She is featured in Women Stage Directors Speak, by Rebecca Daniels, and also in Nancy Taylor's Women Direct Shakespeare. Her essay on The Merchant of Venice was also published by TCG in Jews, Theatre, Performance in an Intercultural Context. Ms. Bensussen is chair of the performing arts department at Emerson College.
(As of June 2014)
by Nathan Louis Jackson
Directed by Amanda Charlton
Saturday, April 5, 8:00pm
In this family serio-comedy, the sons of an African-American family are torn between familial obligations and the dreams they've established for themselves. With dashed hopes for higher education, an ailing patriarch who sees his dead wife, and the mounting expenses of a new baby, the boys help each other face the major decisions of their lives. Together they just may discover a new definition of what it means to be a family.
Caroline in Jersey
by Melinda Lopez
Directed by M. Bevin O'Gara
Sunday, April 6, 7:00pm
Things aren't looking so great for Caroline. Her husband has left her for a younger woman, she's about to be thrown out of her sublet in New Jersey, her landlady thinks she's crazy... and the spirit of Arthur Miller's accountant lives in her refrigerator. Thrown into this mystery, Caroline must discover the truth about her haunting (and herself) to help to heal a broken family across two planes of existence. Melinda Lopez is a 2003-2005 Huntington Playwriting Fellow; Caroline in Jersey is the result of a commission from South Coast Repertory Theatre.
Melinda Lopez previously appeared at the Huntington in Our Town, Persephone, A Month in the Country, and The Rose Tattoo. Most recently she played Victoria in The Motherf**ker with the Hat (SpeakEasy Stage Company). Other credits include Oil Thief and A Girls War (Boston Playwrights’ Theatre), Anna in the Tropics and Theatre District (SpeakEasy Stage Company), Romeo and Juliet (Portland Stage), and Many Colors Make the Thunder-king (Guthrie Theater). She is featured in the movie Fever Pitch. Ms. Lopez is also an award- winning playwright (Sonia Flew, Orchids to Octopi, and Caroline in Jersey), and a Huntington Playwriting Fellow. She teaches playwriting at Boston University.
Past Breaking Ground Readings