Breaking Ground 2004 - 2005
by Stephen Belber*
Thursday, March 18 at 7:30pm
A heat–of–the–moment argument turns violent one early evening‚ down on Fourth Street‚ somewhere in urban America. One man’s mistake starts a chain–reaction that entangles a most–unlikely group of people. Fox‚ Abe‚ Rachel‚ Mac‚ Farrah‚ and Bud seek some kind of cosmic balance in a world that demands more from them than they are necessarily ready to give. Through them‚ Belber deftly explores the conundrum of the human condition in an age where gender‚ race‚ machismo‚ and nationalism threaten to alienate and divide us from each other.
by David Rambo
Friday, March 19 at 7:30pm
A faltering PhD student seeks out a man once at the top of her chosen field –– formerly a scientific renegade of the great arctic north‚ he is now a recluse‚ ensconced in a desolate desert terrain. An abandoned journal‚ preserved in the tundra‚ has led her here to stake her claim. Like the last two people on earth‚ this mismatched pair find themselves at the mercy of mother nature and human nature‚ looking for the answers they never knew they wanted.
by Melinda Lopez*
Saturday, March 20 at 12:00pm
In the early 1960s‚ over 14‚000 unaccompanied Cuban children were sent to the United States by their parents‚ who were fearful of the new government. Lopez’s new play‚ set in 1960 and 2004‚ introduces us to a contemporary family still dealing with the ramifications of this split. How does a parent voluntarily give up a child? What does it mean to sacrifice for a country? These are questions that Sonia‚ mother of two‚ struggles with as she tries to understand her own past in Cuba‚ her relation to her lost parents‚ and her duty to America –– her adopted country.
Melinda Lopez previously appeared at the Huntington in Our Town, Persephone, A Month in the Country, and The Rose Tattoo. Most recently she played Victoria in The Motherf**ker with the Hat (SpeakEasy Stage Company). Other credits include Oil Thief and A Girls War (Boston Playwrights’ Theatre), Anna in the Tropics and Theatre District (SpeakEasy Stage Company), Romeo and Juliet (Portland Stage), and Many Colors Make the Thunder-king (Guthrie Theater). She is featured in the movie Fever Pitch. Ms. Lopez is also an award- winning playwright (Sonia Flew, Orchids to Octopi, and Caroline in Jersey), and a Huntington Playwriting Fellow. She teaches playwriting at Boston University.
by John Kuntz*
Saturday, March 20 at 4:00pm
If you dream of jasper‚ it means the truth will soon be revealed. In the exclusive community of Jasper Lake‚ something is corrupt. Someone has been betrayed‚ someone has lied‚ someone may lose her life. In the center of it all‚ the lake seethes like a living thing. Dark echoes and mysterious voices ebb and flow with the waves. They are whispering ... listen ...
John Kuntz is a Boston-based actor, playwright and solo performer. He is the author of 15 full-length plays, solo pieces and many short plays, including The Hotel Nepenthe (Actors Shakespeare Project & Huntington Theatre Company’s Emerging America Festival, Elliot Norton for "Best New Play" and "Best Ensemble", IRNE Award for “Best New Play” ), The Salt Girl (Boston Playwrights Theatre, Elliot Norton Award for “Best New Play”), Jasper Lake (Michael Kanin & Paula Vogel National Playwrighting Awards), Starfuckers (Elliot Norton Award "Outstanding Solo Performance")and Sing Me To Sleep (Coyote Theatre, Elliot Norton Award “Best Production, Small Theatre”). He is a founding company member of the Actors Shakespeare Project and is on the faculty of The Boston Conservatory.
by Sinan Ünel*
Saturday, March 20 at 8:00pm
In the fall of 1893‚ Tchaikovsky is in Petersburg to conduct his Symphony no.6 (Pathétique)‚ the darkest and most mysterious of his works‚ with a secret meaning the composer never revealed. He’s staying with his brother Modest‚ an unsuccessful playwright‚ and his nephew Bobyk‚ an aspiring poet and the object of his famous uncle’s unrequited affections. Five days after the premiere of the symphony‚ the troubled Tchaikovsky is dead. Ten years later‚ questions still swirl about the mysteries of Pathétique and the circumstances of its composer’s death.
Sinan Ünel is a member of the first cohorts of Huntington Playwriting Fellows. At the Huntington, he developed Pathetique (Breaking Ground 2004), Off the Cliff, and The Cry of the Reed, which was produced at the Huntington in 2007. Other works include Pera Palas, Single Lives, The Three of Cups, Thalassa My Heart, The Lost Gospels of Blakenburg, and A Mad Person's Chronicle of a Miserable Marriage. His work has been produced at the Long Wharf Theater, The Arcola Theatre (London), Boston Playwrights' Theatre, Lark Theatre Company (New York), Gate Theatre (London), Open Source Theater (Pittsburg), Provincetown Theatre Company, Landes-theater (Germany), Theater Kozmos (Austria), and Theatre at Boston Court (Pasadena). He has been awarded the Middle East America Special Jury Prize, The Ridgeala Award, the Daryl Roth Creative Spirit Award, and the John Gassner Memorial Award. His script Race Point was the winner of the 2001 New Century Writer Award for best screenplay. He is a long-time member of the Lark Theater Company in New York, where he recently developed his latest play, New Life. He divides his time between New York and Cape Cod and teaches at Lesley College in Boston. www.sinanunel.com
Book by Peter Flynn
Music and Lyrics by Brooks Ashmanskas
Sunday, March 21 at 3:00pm
This new American musical is an adaptation of Edith Wharton’s classic novel of manners‚ House of Mirth. Based on Wharton’s biting criticism of the monied aristocracy‚ Lily focuses on New York’s high society at the beginning of the 20th century. We follow the fate of the charming Lily Bart‚ her precarious climb up the social ladder‚ and her disastrous downfall.
previously appeared at the Huntington in God of Carnage, She Loves Me
, Present Laughter
(IRNE Award), and Amphitryon
. He appeared on Broadway in Promises, Promises; Present Laughter; The Ritz; Martin Short: Fame Becomes Me
(Tony Award nomination); The Producers; Gypsy; Little Me; Dream; How to Succeed in Business Without Really Trying;
and On the Twentieth Century.
His Off Broadway credits include Wise Guys, Labor Day, Songs for a New World, London Suite, It Changes Every Year,
and The Holy Terror
. His regional credits include Burn This
(Mark Taper Forum), She Stoops to Conquer
(McCarter Theatre), Rich and Famous
(American Conservatory Theater), Bye Bye Birdie
(The Kennedy Center), A Midsummer Night's Dream
(Williamstown Theatre Festival), Rough Crossing
and The Comedy of Errors
(Hartford Stage), Animal Crackers
(Arena Stage), and On a Clear Day
(City Center). His film and television credits include Julie and Julia, Little Children,
"The Miraculous Year," and "All My Children." Mr. Ashmanskas received his BA in drama from Bennington College.
* Recipient of the Huntington’s Calderwood Commission for New American Plays.
Past Breaking Ground Readings