"Rey Pamatmat's insight into his young characters' complex emotional lives rings true."— Stage Left
"Smart and sensitive."— Milwaukee Journal Sentinel
"Moving and searing drama. This play is a galvanizing event!"— On Milwaukee.com
"Clever and emotionally powerful."— Wisconsin Gazette
"The 95-minute play whisks by so quickly it almost catches you off guard. It's that riveting."— Wisconsin Gazette
An ordinary job interview at a local bookstore becomes much more as store-owner Linda and aspiring writer Daniel realize that their connections go far deeper than a shared love of literature. Together they will have have to face the trauma of their past — but can they find forgiveness? Artistic Director Peter DuBois directs this deeply felt and intimate new play about bullying and second chances.
Approximate run time: TBD
"I fell in love with this play when I read it for both the sensitivity of Rey Pamatmat's voice and the way he engages in a major social conversation with great warmth, sharp humor, and an incisive point of view. The story makes my heart race, and I think our audiences will love it."— Peter DuBois
"Past Huntington seasons have brought to life such emotional, intelligent, and even dangerous plays, and I am thrilled to have after all the terrible things I do in such skilled hands."— A. Rey Pamatmat
Artistic Director Peter DuBois discusses the Huntington's upcoming production of A. Rey Pamatmat's a timely new drama about bullying and second chances.
A. Rey Pamatmat is the author of after all the terrible things I do, which will be also be produced at Milwaukee Repertory Theater in the 2014-2015 Season. Other plays include Edith Can Shoot Things and Hit Them, Thunder Above, Deeps Below, A Spare Me, DEVIANT, and High/Limbo/High. He was the 2012-2013 Hodder Fellow in Playwriting, the 2011-2012 PoNY Fellow, and is the Co-Director of the Ma-Yi Writer’s Lab. He received his BFA from NYU and his MFA from Yale School of Drama.
Peter DuBois is in his seventh season as Artistic Director at the Huntington, where his directing credits include the world premieres of Lydia R. Diamond's Smart People, Evan M. Wiener’s Captors, Stephen Karam’s Sons of the Prophet (2012 Pulitzer Prize Finalist), Bob Glaudini’s Vengeance is the Lord’s, David Grimm’s The Miracle at Naples; the regional premieres of Stephen Belber’s The Power of Duff and Gina Gionfriddo’s Becky Shaw and Rapture, Blister, Burn; and Craig Lucas’Prelude to a Kiss. His productions have been on the annual top ten lists of The New York Times, Time Out, New York Magazine, The New Yorker, Newsday, Variety, Entertainment Weekly, The Evening Standard, and Improper Bostonian, and he received an Honorable Mention for 2013 Bostonian of the Year by The Boston Globe Magazine.
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