Ross Bickell* (Jeremy) has appeared at the Huntington in Saint Joan, Jumpers, The Merry Wives of Windsor, and To Kill a Mockingbird. His Broadway credits include Noises Off, The Iceman Cometh, and A Few Good Man. His Off Broadway credits include Deathbed (McGinn-Cazale Theatre), The Madras House (Mint Theater Company), Waste (Theatre for a New Audience), Durango (Public Theater), Remembrance (John Houseman Theater), Privates on Parade and The Crucible (Roundabout Theatre Company), Somewhere in the Pacific (Playwrights Theater of New York), and Down by the Ocean (York Theatre Company). His regional credits include over 200 productions at such theatres as Merrimack Repertory Theatre, Long Wharf Theatre, Hartford Stage, Pittsburgh Public Theater, Cape Playhouse, Old Log Theater, Arena Stage, Alley Theatre, Philadelphia Theatre Company, The Kennedy Center, Guthrie Theater, Alliance Theater, Pioneer Theater Company, Humana Festival of New American Plays, and Eugene O'Neill Theater Center. Mr. Bickell's film and television credits include The Fighter, Major Payne, Airport '77, all "Law & Orders," "Wonder Woman," "Fantasy Island," "WKRP in Cincinnati," "Strangers with Candy," "Chappelle's Show," and "30 Rock." He graduated from the College of Fine Arts at Boston University.

Alexis Camins* (Peter) has New York credits that include Resurrection (Diverse City Theater Company); Hamlet (New York Classical Theatre); Japanoir (Ensemble Studio Theatre); Killing the Boss (Cherry Lane Theatre); blind mouth singing, The Dispute, Antigone, and Eyes of the Heart (National Asian American Theatre Company); and Millicent Scowlworthy (Summer Play Festival). His regional credits include productions at Folger Shakespeare Library, Alabama Shakespeare Festival, Penumbra Theatre Company, Portland Stage Company, Guthrie Lab, and New York Stage and Film. His film and television appearances include The Lost Valentine (CBS-Hallmark), Empire Corner, Midas' Son, The Concoction, "One Life to Live" (ABC), and "The Order of the Serpentine" (Spike TV). Mr. Camins received his MFA in acting at New York University. He is the author of Everything (Desipina and Company), To the Colored American Soldier (Studio Tisch), and Family Lies (Diverse City Theatre Company Green Room Series)

Kippy Goldfarb* (Emily) has performed a wide range of characters including Vivian Bearing (Wit), Regina (The Little Foxes), Linda Loman (Death of a Salesman), Miss Maudie (To KIll a Mockingbird), and Sharon (Book of Days). She has appeared with many New England Theatres, including Wheelock Family Theatre, Wellfleet Harbor Actors Theatre, Worcester Foothills Theatre, Cambridge Theatre Company, The Lyrics Stage Company, Vineyard Playhouse, and Nora Theatre Company. She has performed nationally at Paper Mill Playhouse and San Diego Repertory Theatre, and internationally in Ireland, Russia, and France. Concurrently with the run of Before I Leave You, her narration of "Aphrodite and the Gods of Love" will run at Boston's Museum of Fine Arts. She appears as Francine Doyle in Gone Baby Gone and as Aunt Elise in In the Tradition of My Family. Ms. Goldfarb is also a fine art, theatre, portrait, and special events photographer.

Glenn Kubota's* (Koji) recent New York credits include The Secret of Osono (Pan Asian Repertory Theatre) and Japanoir (The Ensemble Studio Theatre). His recent regional credits include Snow Falling On Cedars (Baltimore's Centerstage) and Rosa Loses Her Face (Queens Theatre in the Park and Electric Theatre Company). Recent film and television credits include Nick and Norah's Infinite Playlist, East Fifth Bliss, "Law and Order: SVU," and "Curb Your Enthusiasm." Mr. Kubota also studies playwriting at HB Studio in New York.

Karen MacDonald* (Trish) has appeared at the Huntington in Bus Stop, All My Sons, and A Civil War Christmas. A founding member of the American Repertory Theater, she appeared there in 70 productions. Nationally she has worked from Philadelphia's Wilma Theatre to Berkeley Repertory Theatre. Recent local and regional credits include The Drowsy Chaperone (SpeakEasy Stage Company); The Color of Rose (ArtsEmerson); Two Wives of India (Boston Playwrights' Theatre); The Blonde, the Brunette, and the Vengeful Redhead (Merrimack Repertory Theatre); boom (New Repertory Theatre); All's Well That Ends Well, Hamlet, and Twelfth Night (Commonwealth Shakespeare Company); Third (Portland Stage); and productions at Hartford Stage, Berkshire Theatre Festival, and the Vineyard Playhouse. Directing credits include An Ideal Husband and The Woman in Black (Gloucester Stage) and Dressed Up! Wigged Out! (Boston Playwrights' Theatre). The recipient of several Elliot Norton and IRNE Awards for her performances, Ms. MacDonald received 2010's Robert Brustein Award for Sustained Achievement in the Theatre and the Norton Prize for Sustained Excellence. She graduated from the College of Fine Arts at Boston University.

Rosanna Yamagiwa Alfaro (Playwright) is a Huntington Theatre Company Playwriting Fellow and a 2011 Massachusetts Cultural Council Artist Fellow in Playwriting. Her plays include Behind Enemy LInes (Pan Asian Repertory Theatre), Mishima (East West Players), Martha Mitchell (Edinburgh Fringe Festival; Theater Center Philadelphia; Six Figures Theater Company, New York; and others), Barrancas (Magic Theatre), Pablo and Cleopatra (New Theater), Mexico City (The Boston Women on Top Festival), Sailing Down the Amazon (BWTF and JRV Productions), and It Doesn't Take a Tornado and Amsterdam (La MaMa ETC.). She is the writer and narrator of Japanese American Women: A Sense of Place, a documentary directed by Leita Hagemann Luchetti (part of a Smithsonian Institution exhibit and aired by PBS in Seattle). Seven of her short plays have been in the Boston Theater Marathon, and eight were finalists in the National Ten-Minute Play Contest. Her plays have been anthologized by Baker's Plays, Heinemann, Charta Books, Smith and Kruas, and Meriwether Publishing. Ms. Alfaro is 72 years old, and has been a resident of Cambridge, MA for more than 40 years.

Jonathan Silverstein (Director) Off Broadway credits include The Temperamentals (Drama Desk Award for Outstanding Ensemble); Lemon Sky, The Dining Room (Drama Desk Award Nomination for Outstanding Director; Drama Desk Award for Outstanding Ensemble), Tea and Sympathy, I Never Sang For My Father, and The Hasty Heart (Keen Company, Resident Director); Red Herring (New York International Fringe Festival, Outstanding Direction Award); Indiscretions (Phoenix Theatre Ensemble); Blueprint (Summer Play Festival); The Rats Are Getting Bigger (New York International Fringe Festival); Greater Messapia (Queens Theatre in the Park); and The Train Play (Clubbed Thumb). His regional theatre credits include The Old Globe, Cleveland Play House, Dorset Theatre Festival, and The Theatre at Monmouth. In the Boston area, he has worked at Merrimack Repertory Theatre and Cape Rep Theatre. Mr. Silverstein is a graduate of the MFA directing program at University of California, San Diego, an alumnus of The Drama League Director's Project, and a member of SDC. jonnysilver.com

Allen Moyer (Set Designer) returns to the Huntington having designed Educating Rita. His Broadway credits include Lysistrata Jones, After Miss Julie, Grey Gardens (Tony and Drama Desk Award nominations, Henry Hewes Award), Thurgood, The Little Dog Laughed, The Constant Wife, Twelve Angry Men, In My Life, Reckless, The Man Who Had All the Luck, and A Thousand Clowns. His Off Broadway credits include Passion Play (Epic Theater Company) and productions for the Guthrie Theater (most recently M. Butterfly), Goodman Theatre, Yale Repertory Theatre, The Old Globe, La Jolla Playhouse, Long Wharf Theatre, Steppenwolf Theatre Company, Baltimore's Centerstage, and Center Theatre Group. His extensive opera credits include work for The Metropolitan Opera (Orfeo ed Eurydice, directed by Mark Morris), New York City Opera, Houston Grand Opera, Santa Fe Opera, San Francisco Opera, Canadian Opera Company, Gimmerglass Opera, Opera Theater of St. Louis, Boston Lyric Opera, Scottish Opera, and the Wexford Festival Opera (Ireland). He is the recipient of the 2006 Obie for Sustained Excellence.

Michael Krass (Costume Designer) returns to the Huntington having designed The Rose Tattoo, The Rivals, A Month in the Country, Dead End, and many others. His Broadway credits include The Constant Wife (Tony Award nomination); After Miss Julie; Twelve Angry Men; After the Fall; Hedda Gabbler; The Lion in Winter; You're a Good Man, Charlie Brown; The Rehearsal (Drama Desk Award nomination); and A View from the Bridge. Off Broadway, he has designed world premiere plays by Edward Albee, Christopher Durang, David Rabe, Kenny Lonergan, Nicky Silver, John Guare, and others. He has costumed ten seasons at the Williamstown Theatre Festival and multiple productions in regional theatres all over the country. His opera debut will be this spring with Pelleas and Melisande in St. Petersburg, Russia.

David Lander (Lighting Designer) returns to the Huntingtonhaving designed Carry It On (formerly titled A Long and Winding Road) with Maureen McGovern. His Broadway credits include Master Class with Tyne Daly, Bengal Tiger at the Baghdad Zoo with Robin Williams (Drama Desk Award; Tony and Outer Critics Award nominations), 33 Variations with Jane Fonda (Tony and Outer Critics Award nominations), I Am My Own Wife (Drama Desk and Outer Critics Award nominations), A Man for All Season with Frank Langella, Dirty Blond, and Golden Child. His Off Broadway credits include designs for The New Group, New York Theatre Workshop, Playwrights Horizons, The Public Theater, Roundabout Theatre Company, Signature Theatre Company, Vineyard Theatre, and others. Mr. Lander's regional credits include designs for Arena Stage, The Kennedy Center, La Jolla Playhouse, Mark Taper Forum, The Muny, The Old Globe, and others. He has worked internationally in London, Dublin, Caracas, Singapore, Tokyo, Sydney, Melbourne, and others.

David Remedios (Original Music/Sound Design) returns to the Huntington having designed Circle Mirror Transformation and Prelude to a Kiss, for which he also composed original music. His recent credits include The Farm and Mortal Terror (Boston Playwrights' Theatre), All's Well That Ends Well (Commonwealth Shakespeare Company), Antony and Cleopatra (Actors' Shakespeare Project), Car Talk: The Musical!!! (Suffolk University), Two Jews Walk Into a War... (Merrimack Repertory Theatre), The Center of Gravity (Portland Stage Company), The Emperor of Atlantis (Boston Lyric Opera), and afterlife: a ghost story (New Repertory Theatre). His work has been heard at many other regional theatres, and internationally at France's Festival d'Automne, Honk Kong Arts Festival, and Edinburgh International Festival. Mr. Remedios is the recipient of an Elliot Norton Award and a Connecticut Critics' Circle Award. remediossound.com

Carola Morrone LaCoste* (Production Stage Manager) has previously worked on Educating Rita, Vengeance is the Lord's, Prelude to a Kiss, Becky Shaw, All My Sons, Boleros for the Disenchanted, Two Men of Florence, and Pirates! (or, Gilbert and Sullivan Plunder'd) for the Huntington. Other credits include A Midsummer Night's Dream and As You Like It (Commonwealth Shakespeare Company); Cabaret, A Christmal Carol, The Wild Party, The Clean House, and more (New Repertory Theatre); Happy Days and My Old Lady (Gloucester Stage); Everything in the Garden (Brandeis Theatre Company); Brutality of Fact and Smokey Joe's Café (Connecticut Repertory Theatre); and Sylvia, Siddhartha, and It Goes Without Saying (Berkshire Theatre Festival). Mrs. LaCoste holds a BA in theatre studies from the University of Connecticut.

Ryan A. Anderson* (Stage Manager) returns to the Huntington after working on The Miracle at Naples. His regional credits include The Blue Flower and Ajax (American Repertory Theater); Love Song and Island of Slaves (Orfeo Group); The Drowsy Chaperone (SpeakEasy Stage Company); Speech and Debate, Laughing Wild, The Bald Soprano, Sexual Perversity in Chicago, The Pillowman, What the Butler Saw, Hunter/Gatherers, and Fabuloso (Wellfleet Harbor Actors Theatre); Boston Theater Marathon 2009 and Miss Margaret LaRue... (Boston Playwrights' Theatre); and Angels in America (Boston Theatre Works). Mr. Anderson graduated from Boston University with a BFA in stage management.