Johnny Lee Davenport* (Parcel Sytes) has appeared locally in Hamlet, Much Ado About Nothing, and Love's Labour's Lost (Actors' Shakespeare Project); A Midsummer Night's Dream and As You Like It (Commonwealth Shakespeare Company); A House With No Walls (New Repertory Theatre); Richard III and A Raisin in the Sun (Trinity Repertory Company); and The Winter's Tale, Richard III, Hamlet, Henry IV Part I, King Lear, Macbeth, Twelfth Night, and many others (Shakespeare and Company). With Stratford Shakespeare Festival (Canada) he has appeared in King Lear, Twelfth Night,Oedipus, and The Critic. Other regional theatre credits include productions at Yale Repertory Theatre, Chicago Shakespeare Theatre, Steppenwolf Theatre Company, Goodman Theatre, Court Theatre, Seattle's A Contemporary Theatre, Tennessee Shakespeare Company, Orlando Shakespeare Theatre, Shakespeare Theatre Company, and others.

Katie Kreisler* (Roanne Horvath) has appeared on Broadway in Noises Off and Off Broadway in Theresa Rebeck’s Our House and Psych (Playwrights Horizons), Gone Missing (The Civilians), I’m In Love With Your Wife (Midtown International Theatre Festival; winner, Best Supporting Actress), and Stalled (co-writer/performer, Upright Citizens Brigade NYC/LA). She has appeared regionally in The Cherry Sisters Revisited and Absalom (Humana Festival of New American Plays at Actors Theatre of Louisville), and Haroun and the Sea of Stories (Berkeley Repertory Theatre). Film credits include Children of Invention, Full Grown Men, Approaching Union Square, Heights, and Melinda and Melinda. She has appeared on several television shows, most recently “The Good Wife,” “Medium,” and “Law and Order.” She wrote and recently performed her solo show, It’s All About Her, at The Laurie Beechman Theatre in New York City. Ms. Kreisler studied at The Juilliard School.

Trevor Long* (Milo) has been a LAByrinth Theater Company member since 1998. He has appeared Off Broadway in Unconditional (The Public Theater), Pretty Chin Up (LAByrinth at The Public Theater), Defiance (Manhattan Theatre Club), and The Last Days of Judas Iscariot (The Public Theater, dir. Philip Seymour Hoffman). Other theatre credits include Leaving (The Wilma Theater); Royal Shakespeare Company's presentation of William Shakespeare's Cardenio and David Edgar's Written on the Heart (dir. Gregory Doran); Guinea Pig Solo (Berlin, Germany); John Patrick Shanley's Connie and the Groom and Out West (Lucille Lortel Theatre); Scotch and Water (London and New York premiere); In Arabia, We'd All Be Kings (LAByrinth, dir. Philip Seymour Hoffman); and Den of Thieves (L.A. premiere and LAByrinth). Film credits include Jack Goes Boating (dir. Philip Seymour Hoffman), Concerto (Sundance Select 2009 and winner of L.A./BAFTA Award for dramatic excellence), Tymbals, Irina Patkania's Armed Defense, and Don Juan Diarco. He studied at Rutgers University (M.F.A.), Brown University (B.A.), and with Harold Guskin.

Karl Baker Olson* (Donald Horvath) has Boston stage credits that include The History Boys and Reckless (SpeakEasy Stage Company), The Lieutenant of Inishmore and The Misanthrope (New Repertory Theatre), Ronan Noone's Little Black Dress and Melinda Lopez's Gary (Boston Playwrights' Theatre), The Duchess of Malfi and A Midsummer Night's Dream (Actors' Shakespeare Project), A Moon for the Misbegotten (Merrimack Repertory Theatre), and The Comedy of Errors (Commonwealth Shakespeare Company). He received his B.F.A. from the Boston University School of Theatre and has also trained at the London Academy of Music and Dramatic Art and the Children's Theatre Company in Minneapolis, MN.

Larry Pine* (Mathew Horvath) previously appeared in the Huntington’s Carol Mulroney. His Broadway credits include The Royal Family, The Seagull, End of the World, Roy Cohn in Angels in America, and Bus Stop. His Off Broadway credits include Top Secret, Secret Order, The Shanghai Gesture, Stuff Happens, The Women of Lockerbie, Saved or Destroyed, The Chiistry of Change, Mizlansky/Zilinsky, Uncle Vanya, Aunt Dan and Lion, Alice in Wonderland, and Talk Radio. Regional credits include Kreutzer Sonata (adaptation by Larry and Margaret Pine), Enemy of the People, Wrong Mountain, Light Up The Sky, and A Life in the Theatre, among others. Film and television credits include A.D. Project, Vicky Cristina Barcelona, OutSourced, Sunday (Sundance Grand Prize winner), “Law & Order: Criminal Intent,” “Law & Order,” “Gilmore Girls,” “Oz,” and many more.

Lee Tergesen* (Woodrow Horvath) has Off Broadway credits that include Good Boys and True, The Foreigner, and The Exonerated. Mr. Tergesen has also been seen on the big screen in such films as Silver Tongues, Storage, Red Tails, Helena From the Wedding, The Texas Chainsaw Massacre: The Beginning, The Forgotten, Monster, Wayne’s World 1 & 2, and Point Break. He also starred as ‘Tobias Beecher’ for six seasons on the acclaimed HBO series “Oz.” Additional television credits include “Castle,” “Army Wives,” “Lie To Me,” “Law & Order: SVU,” “Criminal Minds,” “House,” “Royal Pains,” “The Closer,” “The New Adventures of Old Christine,” and “Desperate Housewives,” as well as appearing in HBO’s Bury My Heart at Wounded Knee and the Emmy Award-winning mini-series “Generation Kill.”

Roberta Wallach* (Margaret Horvath) has theatre credits that includeThe Diary Of Anne Frank (Off Broadway and Toronto); Ho!Ho!Ho!, with Ruth Gordon; The Waltz Of The Toreador; The Flowering Peach, directed by Robert Lewis; Chambers, directed by Arthur Penn; The Model Apartment by Donald Margulies (New York, La Jolla Playhouse, Long Wharf Theatre productions; Drama Desk Award nomination and Drama-Logue Award); Down The Garden Paths, by Anne Meara; and The Identical Same Tiptation, written and directed by Bob Glaudini. She has appeared on film in The Effects of Gamma-Rays on Man-in-the-Moon Marigolds, directed by Paul Newman; F.M.; Hollywood Knights; and the upcoming Boy Wonder and Rabbit Hole, directed by John Cameron Mitchell, and can be seen on television in “Our Family Reunion,” with Bette Davis, “Women on the Inside” (HBO), “The Best Thief in the World” (Showtime), “Law and Order,” and “The Sopranos.” Ms. Wallach is a member of The Actors Studio.

Bob Glaudini (Playwright) has written plays that include On Borrowed Time and Against the Sun (Theater Genesis) and The Claiming Race, Sickness of Youth, and The Poison Tree (presented in Los Angeles' Mark Taper Forum's New Works Festival, The Poison Tree went on to be produced on the Taper main stage). He is a member of The LABryinth Theater Company, which produced his play Dutch Heart of Man at New York's The Public Theater, and soon followed it at The Public with productions of Jack Goes Boating and A View from 151st Street both directed by Peter DuBois. The Identical Same Temptation and The Claiming Race were produced at New York's Theater for the New City. He wrote the script for the film Jack Goes Boating (directed by Philip Seymour Hoffman), which was released this fall. Mr. Glaudini also directed the world premiere of Sam Shepard's Mad Dog Blues at Theater Genesis, and the premiere of Cowboy Mouth written by Mr. Shepard and Patti Smith at The American Place Theatre.

Peter DuBois (Director) is the Artistic Director of the Huntington Theatre Company, where he has directed Craig Lucas' Prelude to a Kiss, Gina Gionfriddo's Becky Shaw (after directing its Off Broadway run at Second Stage Theatre and its world premiere at the Humana Festival of New American Plays at Actors Theatre of Louisville), and David Grimm's The Miracle at Naples. This season, he will also direct the world premiere of Stephen Karam's Sons of the Prophet. Prior to arriving at the Huntington, he served for five years as associate producer and resident director at The Public Theater, preceded by five years as artistic director of the Perseverance Theatre in Juneau, Alaska. He will next direct the London premiere of Becky Shaw for the Almeida Theatre. He recently directed the Off Broadway production of Paul Weitz's Trust at Second Stage Theatre. His Public Theater directing credits include Glaudini's Jack Goes Boating with Philip Seymour Hoffman and A View from 151st Street, both with LAByrinth Theater Company; Measure for Pleasure (SSDF Callaway Award for Excellence in Direction; Drama League Award nomination for Distinguished Production of a New Play); Richard III with Peter Dinklage; Adrienne Kennedy's Mom, How Did You Meet the Beatles?; and Biro. Selected directing credits for Perseverance include The Seagull, The Winter's Tale, Romeo and Juliet, and The Glass Menagerie, as well as the West Coast premiere of Suzan-Lori Parks's In the Blood and the world premiere of Chay Yew's Long Season. Regional credits include a revival of Sam Shepard's The Curse of the Starving Class at American Conservatory Theater in San Francisco, and productions at Trinity Repertory Company and California Shakespeare Theater. Prior to his work at Perseverance, Mr. DuBois lived and worked in the Czech Republic where he co-founded Asylum, a multi-national squat theatre in Prague.

Eugene Lee (Scenic Designer) designed the sets for Cry of the Reed (2008) and Mauritius (2006) at the Huntington. He is currently represented on Broadway by Wicked, for which he won his most recent Tony Award. Mr. Lee’s current projects include Oklahoma! (Arena Stage), The Train Driver (Long Wharf Theatre), Compulsion (Berkeley Repertory and The Public Theater), and God of Carnage (Seattle Repertory Theatre). He has been the production designer for NBC’s “Saturday Night Live” since 1974. He was recently inducted into the Theatre Hall of Fame in New York.

Mimi O’Donnell (Costume Designer) has design credits that include Pumpgirl (Manhattan Theatre Club); 100 Saints You Should Know and On the Mountain (Playwrights Horizons); Family Week, Fifty Words, Some Girl(s), Fat Pig, and The Glory of Living (MCC Theater); subUrbia (Second Stage Theatre); Two Thousand Years (New Group); Frame 312 (Atlantic Theater Company); and The Pavilion (Rattlestick Theater). Ms. O’Donnell is a co-artistic director and member of LAByrinth Theater Company where her credits include Unconditional, A View from 151st Street, Jack Goes Boating, The Last Days of Judas Iscariot, Our Lady of 121st Street, and Jesus Hopped the “A” Train (also at the Donmar Warehouse and The Arts on the West End). She also worked on the film version of Jack Goes Boating.

Japhy Weideman (Lighting Designer) designed Prelude to a Kiss and How Shakespeare Won the West for the Huntington. Recent projects include Tigers Be Still (Roundabout Theatre Company) and Life is a Dream (Santa Fe Opera). For Peter DuBois, he designed A View from 151st Street and Jack Goes Boating (The Public Theater), and The Curse of the Starving Class (American Conservatory Theater). Other New York credits include Lincoln Center Theater, City Center, Juilliard Opera Center, Soho Rep, and LAByrinth Theater Company. Regional work includes Berkeley Repertory Theatre, Houston Grand Opera, La Jolla Playhouse, Shakespeare Theatre Company, Santa Fe Opera, Westport Country Playhouse, and others. International credits include West End, Royal Shakespeare Company, Nederlandse Opera, Edinburgh International Festival, Epidaurus-Greece, La Scala, and Opera de Lyon. Mr. Weideman has received Drama Desk, Lucile Lortel, Hewes Design, Craig Noel, and Bay Area Critics Awards and nominations.

Ben Emerson(Sound Designer) has Huntington design credits that include A Long and Winding Road, Fences, The Miracle at Naples, What the Butler Saw, Cookin' at the Cookery, Gross Indecency, Cabaret Verboten, and The Glass Menagerie. Additional regional credits include Woman in Black, Quartet, The Pavilion, and Short Haired Grace (Merrimack Repertory Theatre). Mr. Emerson's local designs include Where Elephants Weep (Cambodian Living Arts), Wind in the Willows (Gloucester Stage Company), The Order of Things (Centastage), Freedom of the City and Portia Coughlin, among others (The Súgán Theatre Company), and The Seafarer and The Wrestling Patient (SpeakEasy Stage Company). Mr. Emerson teaches sound design at the Boston University School of Theatre. He was awarded IRNE Awards for his designs of Fences and The Seafarer.

David Van Tieghem (Composer) has worked on the Broadway productions of Mrs. Warren's Profession, A Behanding in Spokane, After Miss Julie, A Man for All Seasons,Doubt, Reckless, Mauritius, Inherit the Wind, Frozen, Three Days of Rain, A Touch of the Poet, The Good Body, The Crucible, Judgment at Nuriberg, and Uncle Vanya. Off Broadway credits include The Language Archive, The Heart is a Lonely Hunter, Wit, Farragut North, The Metal Children, Jack Goes Boating, Woman Before a Glass, How I Learned to Drive, and The Grey Zone. Film and television credits include Buried Prayers, Eye of God, Working Girls, and Penn & Teller. He has worked with choreographers Twyla Tharp, Doug Varone, Elizabeth Streb, and Michael Moschen and as a percussionist for Laurie Anderson, Talking Heads, Brian Eno, and Steve Reich. His CDs are Thrown for a Loop, Strange Cargo, Safety in Numbers, and These Things Happen. vantieghem.com