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“O.K. If history is, arguably, a fabrication . . . at least to the extent that it can only be told through the socio-political-sexual-psychological lens of the person telling it, right, what then is fiction?” Read More. |
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Actor. Director. Producer. Motivational speaker. Kenny Leon has done it all. Read More. |
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Spending their summers on Martha’s Vineyard, Stick Fly’s LeVay family shares in the long tradition of middle and upper-class African-Americans who have found a unique community on the secluded island. Read More. |
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Scenic Designer David Gallo has a Tony Award (The Drowsy Chaperone), an exhibition of his work in the Smithsonian Institute’s permanent collection, and he still drafts his designs with a pencil and paper rather than a computer. Read More. |
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“Look, baby, you just have to look at everyone like they’re bugs under a microscope. Like ants. Figure out the patterns.” Read more. |
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Interested in the language and references used in Stick Fly? Check out these buzzwords in our handy dictionary. Read More. |
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As one of the oldest and largest black organizations in the United States, Jack and Jill of America Inc. has a history of service and philanthropy dedicated to improving the lives and opportunities for all children. Read More. |
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Not long ago, to be a person of color with a college degree in the United States was to be an anomaly. Read More. |
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Stick Fly playwright Lydia R. Diamond talks with Prelude to a Kiss playwright Craig Lucas about the writing process, influences, Boston University, and more. Read more. |
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Playwright Lydia R. Diamond interviews Stick Fly and Fences director Kenny Leon about his experience and relationship with August Wilson. Read the edited program-length interview. Read the full transcript. |
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