Bios
| 4th Customer/ Ensemble |
... |
|
| 5th Customer/ Ensemble |
... |
|
| Georg Nowack |
... |
|
| Busboy/Ensemble |
... |
|
| Amalia Balash |
... |
|
| Arpad Laszlo |
... |
|
| 1st Customer/Ensemble |
... |
|
| Ensemble |
... |
|
| 2nd Customer/ Ensemble |
... |
|
| Steven Kodaly |
... |
|
| Ensemble |
... |
|
| Mr. Maraczek |
... |
|
| Keller/Ensemble |
... |
|
| Ladislav Sipos |
... |
|
| Ilona Ritter |
... |
|
| 3rd Customer/ Ensemble |
... |
|
| Headwaiter |
... |
|
| |
|
|
| Music |
... |
|
| Lyrics |
... |
|
| Director |
... |
|
| Choreographer |
... |
|
| Musical Director |
... |
|
| Scenic Designer |
... |
|
| Costume Designer |
... |
|
| co-Lighting Designer |
... |
|
| co-Lighting Designer |
... |
|
| co-Sound Designer |
... |
|
| co-Sound Designer |
... |
|
| Casting Director |
... |
|
| Production Stage Manager |
... |
|
| Stage Manager |
... |
|
Monique Alhaddad (4th Customer/Ensemble) has New York credits that include Broadway Bares XVII (Roseland Ballroom), Alive with Style dance concert (Symphony Space), and Plane Crazy demo cast recording. Ms. Alhaddad recently performed the role of Anita in West Side Story (Beef & Boards Dinner Theatre). She was a member of the international tour of Fosse. Her regional credits include Patsy in Crazy For You, Bebe in A Chorus Line, and Swing! She has appeared on the television series "Law & Order: Criminal Intent," and was the choreographer for the NBA's Indiana Pacers Pro Dance Team from 1991-2000. Ms. Alhaddad received a B.A. in dance with honors from Butler University.
back to top
Ashley Arcement (5th Customer/Ensemble) has appeared on Broadway in Grease. She has performed on tour as Ethel in Thoroughly Modern Millie and in Pippin. Ms. Arcement has played Val in A Chorus Line (West Virginia Public Theatre), Polly in The Cocoanuts (Seaside Music Theater), Meet Me in St Louis (Paper Mill Playhouse), and Pippin (Goodspeed Opera House). She graduated summa cum laude with a B.M. in music theatre from Florida State University.
back to top
Brooks Ashmanskas' (Georg Nowack) Huntington credits include Present Laughter (IRNE Award), Amphitryon, and the 2004 Breaking Ground Festival reading of Lily, a musical adaptation of Wharton's The House of Mirth, for which he composed the music and lyrics. He appeared on Broadway in The Ritz (dir. Joe Mantello), Martin Short: Fame Becomes Me (dir. Scott Wittman; also CD; Tony and Drama Desk nominations), The Producers (dir. Susan Stroman), Gypsy (dir. Sam Mendes, also CD), Little Me (dir. Rob Marshall, also CD), Dream (dir. Wayne Cilento), How to Succeed in Business Without Really Trying (dir. Des McAnuff), and On the Twentieth Century (dir. Peter Flynn). Other theatre credits include Off Broadway productions of Stephen Sondheim and John Weidman's Wise Guys with Victor Garber (New York Theatre Workshop, dir. Sam Mendes), On a Clear Day You Can See Forever (City Center Encores!, dir. Mark Brokaw), Neil Simon's London Suite (Union Square Theatre, dir. Daniel Sullivan), A.R. Gurney's Labor Day (Manhattan Theatre Club, dir. Jack O'Brien), Jason Robert Brown's Songs for a New World (WPA Theatre, dir. Daisy Prince, also CD), Jon Robin Baitz's It Changes Every Year (Malaparte Theatre Company, dir. Nicholas Martin), and national tours of Cinderella and Noises Off. Regional credits include Comedy of Errors and Rough Crossing (Hartford Stage), A Midsummer Night's Dream (Williamstown Theatre Festival, dir. Nicholas Martin), and productions at The Old Globe, Arena Stage, Paper Mill Playhouse, among others. Mr. Ashmanskas is a graduate of Bennington College.
back to top
Jason Babinsky (Busboy/Ensemble) has appeared in the national tours of Dr. Dolittle as Chee-Chee, and Dora the Explorer Live as Boots. His regional credits include Antipholus of Syracuse in Bombitty of Errors (Syracuse Stage); Dromio of Ephesus in Bombitty of Errors (Adirondack Theatre Festival and Repertory Theatre of St. Louis, Kevin Kilne Award for Best Actor in a Play); Seven Brides for Seven Brothers (Theater of the Stars, Theatre Under the Stars, Paper Mill Playhouse, and North Shore Music Theatre); West Side Story (North Shore Music Theatre); Carnival (Paper Mill Playhouse); Hello, Dolly! (Hangar Theatre); and Beauty and the Beast and Fiddler on the Roof (North Carolina Theatre). Mr. Babinsky received his B.A. in English and B.F.A. in acting from Northern Illinois University.
back to top
Kate Baldwin (Amalia Balash) previously appeared at the Huntington as Cordelia in Falsettos. Her Broadway credits include The Full Monty, Thoroughly Modern Millie (original cast), and Wonderful Town (Helen). She has performed on tour in Irving Berlin's White Christmas, appearing in San Francisco, Detroit, and Toronto. Her additional New York credits include Stephen Sondheim's Opening Doors (Zankel Hall) and Babes in Arms, A Connecticut Yankee, and Bloomer Girl (City Center Encores!). Regionally, Ms. Baldwin has appeared in Henry V (The Shakespeare Theatre of New Jersey); South Pacific (Arena Stage); Hello, Dolly!, Miss Saigon, and Guys and Dolls (Paper Mill Playhouse); A Little Night Music (Centerstage); The Three Musketeers (North Shore Music Theatre); The Sound of Music, The Pajama Game, and Seven Brides for Seven Brothers (The Muny); Passion (The Wilma Theater); The Last Five Years (The Repertory Theatre of St. Louis); 1776 (Ford's Theatre); and Finian's Rainbow (Marriott Theatre in Lincolnshire). Her concert appearances include Chicago Humanities Festival, National Symphony Orchestra, Pittsburgh Symphony Orchestra, and Lincoln Center's American Songbook Series. Ms. Baldwin is a graduate of Northwestern University.
back to top
Jeremy Beck (Arpad Laszlo) returns to the Huntington after performing the roles of Moth in Love's Labour's Lost and Yephikhodov in The Cherry Orchard. His Off Broadway credits include Betrayed (Culture Project), The President and Her Mistress (Abingdon Theatre Arts Complex), and Hard Right (The Players Theatre). Mr. Beck has performed in numerous Off Off Broadway and regional productions including Pink (Summer Play Festival); Bang Big (Fringe NYC); Ukraine, Morocco, Monte Carlo (Minneapolis Fringe); Quinnopolis vs. Hamlet (1812 Productions); and the European premiere of Shakespeare's R&J on London's West End, in which he played Mercutio and Lady Capulet. His film credits include Gods and Generals and Book of Danny. Mr. Beck is an Honors Scholar from James Madison University and a graduate of BADA's Midsummer in Oxford's "Shakespeare Intensive" program.
back to top
Nancy E. Carroll (1st Customer/Ensemble) returns to the Huntington where she appeared as Miss Erickson in Present Laughter, the Strega in The Rose Tattoo, Mrs. Martin in Dead End, and most recently, the Woman in Brendan. She appeared Off Broadway in Balancing Act (Westside Theatre). Her regional credits include Winnie in Happy Days, Ruth Steiner in Collected Stories, and Mathilde Giffard in My Old Lady (Gloucester Stage Company); Amanda in The Glass Menagerie (Lyric Stage Company of Boston); Virginia in The Clean House, Nancy in Frozen, Evelyn in Kindertransport, and Mrs. Lovett in Sweeney Todd (New Repertory Theatre); Homebody in Homebody/Kabul (Boston Theatre Works); Nancy Blake in The Women and Joanne in Company (SpeakEasy Stage Company); Lily in A Man of No Importance (SpeakEasy Stage Company and The Súgán Theatre Company co-production); Mommo in Bailegangaire (The Súgán Theatre Company); Halie in Buried Child and the Woman in The Unexpected Man (Nora Theatre Company); the Nurse in Romeo and Juliet (North Shore Music Theatre); Delores in Melinda Lopez's The Order of Things (Centastage); Gertrude in Hamlet and Paulina in The Winter's Tale (Publick Theatre); and Kate in Dancing at Lughnasa (Foothills Theatre Company).
back to top
Aldrin Gonzalez (Ensemble) has Broadway credits that include the role of LeFou in Beauty and the Beast, Swing!, the revival of Follies, Thoroughly Modern Millie, Ziegfeld Follies of 1936 (City Center Encores!), and Guys and Dolls. His national touring credits include West Side Story, Beauty and the Beast, and A Chorus Line.
back to top
Rosie Hunter (2nd Customer/Ensemble) has regional credits that include The King and I (Reagle Players) and Kiss Me, Kate; Brigadoon; and Follies (Maine State Music Theater). She received her B.M. in vocal performance with a concentration in musical theatre from the University of Southern Maine School of Music in 2005. Upon graduation, Ms. Hunter spent a year studying at the American Musical and Dramatic Academy in New York.
back to top
Troy Britton Johnson (Steven Kodaly) originated the role of the tap dancing, blindfolded, roller skating groom Robert Martin in The Drowsy Chaperone. His other Broadway credits include Joe Hardy in Damn Yankees, Elvis in The Best Little Whorehouse Goes Public, and the original company of The Will Rogers Follies, where he worked with Cy Coleman, Betty Comden, Adolph Green, and director Tommy Tune. He appeared in the first national tours of Hairspray and The Full Monty. Off Broadway, Mr. Johnson has played Craig Prince in Charles Busch's Vampire Lesbians of Sodom. His regional credits include The Drowsy Chaperone (Ahmanson Theatre); A House in the Woods (Goodspeed Opera House); A Day in Hollywood/A Night in the Ukraine (Bristole Riverside Theatre); Violet (Laguna Playhouse); Cinderella (Santa Barbara CLO); South Pacific (Westbury Music Fair); as well as Strike Up the Band and Bells Are Ringing (Los Angeles' Reprise! series). His film and television credits include Blood Night, Life in Flight, Calling it Quits, Disney's Geppetto, "The Drew Carey Show," "Beverly Hills, 90210," and "As the World Turns." He holds a B.A. from New York University's Tisch School of the Arts.
back to top
Matthew Warner Kiernan (Ensemble) has appeared on Broadway in Hot Feet. He has national touring credits that include All Shook Up, 42nd Street, and Cats. Regionally, Mr. Kiernan has worked with Theater of the Stars, Gateway Playhouse, Reagle Players, and the Radio City Christmas Spectacular. He is a graduate of New York University's Tisch School of the Arts.
back to top
Dick Latessa (Mr. Maraczek) previously appeared at the Huntington in The Cherry Orchard and Don Juan. He last appeared on Broadway as Wilbur in Hairspray (Tony, Drama Desk, and Outer Critics Circle Awards) and repeated his role with Harvey Fierstein in Las Vegas. Prior to that he appeared at Lincoln Center Theater in John Guare's Chaucer in Rome. His Broadway credits include the Roundabout Theatre Company's production of Cabaret (Helen Hayes Award, Chicago's Joseph Jefferson Award nomination), as well as Neil Simon's Proposals, the revival of A Funny Thing Happened..., Damn Yankees, The Will Rogers Follies, Rumors, Broadway Bound, Rags, Brighton Beach Memoirs, Passione, I Ought to Be in Pictures, Chapter Two, Follies, and Awake and Sing! In the New York City Center Encores! series, he appeared in Promises, Promises; DuBarry Was a Lady; and Lil' Abner. His Off Broadway credits include Over the River and Through the Woods, Fit to Be Tied, Sophistry, Man in His Underwear, and Philemon, for which he received an OBIE Award and recreated for PBS. His film and TV credits include Thicker Than Blood for TNT, The Substance of Fire, Stigmata, The Great New Wonderful (Tribeca Film Festival), Alfie, and The Last New Yorker, as well as "Six Degrees," "The Black Donnellys," and "Brotherhood."
back to top
Josh Mertz (Keller/Ensemble) has performed on national tours of Crazy for You and The Compleat Works of William Shakespeare (abridged). He has appeared regionally in Crazy for You (Arizona Broadway Theatre); The Rainmaker, Never The Sinner, and A Christmas Carol (American Stage Theatre Company); and Light Up the Sky and The Importance of Being Earnest (Theatre Works Sarasota). Mr. Mertz is a co-founder of the sketch comedy troupe Slightly Known People.
back to top
Mark Nelson (Ladislav Sipos) has appeared on Broadway in Brighton Beach Memoirs, Broadway Bound, and Rumors, all with Dick Latessa, as well as Biloxi Blues, A Few Good Men, Three Sisters, The Invention of Love, and After the Fall. He is an OBIE Award recipient for his portrayal of Einstein in Steve Martin's Picasso at the Lapin Agile. Mr. Nelson's recent regional appearances include the title role in Uncle Vanya directed by Bartlett Sher (Intiman Theatre); Underneath the Lintel (Long Wharf Theatre, Connecticut Critics Circle Award); and Talley's Folly, Falsettos and Doug Wright's I Am My Own Wife (George Street Playhouse). As a director, his credits include Sarah, Sarah (Manhattan Theatre Club); June Moon with Jessica Stone (Off Broadway and McCarter Theatre, Lortel Award); The Seagull (George Street Playhouse); Coastal Disturbances (Berkshire Theatre Festival); and A Doll's House (The Juilliard School).
back to top
Jessica Stone (Ilona Ritter) has previously appeared at the Huntington in Springtime for Henry and Betty's Summer Vacation. Her Broadway credits include Butley, The Odd Couple, Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying, and Grease. Off Broadway, Ms. Stone has appeared in Crimes of the Heart, Krisit, The Country Club, June Moon, Tenderloin, and Babes in Arms. She has also appeared in the national tours of Grease and Bye, Bye, Birdie. Regionally, Ms. Stone has worked with the Mark Taper Forum, Geva Theatre Center, McCarter Theatre, and the Williamstown Theatre Festival, where she appeared in A Midsummer Night's Dream, The Cherry Orchard, Where's Charley?, and Tonight at 8:30. Her film and television credits include Failure to Launch, Loverboy, Signs, The Ice Storm, "Conrad Bloom," "Mr. Rhodes," "Here and Now," "3Lbs," "CSI: Miami," "Ed," and "Caroline in the City."
back to top
Sarah Turner (3rd Customer/Ensemble) has performed on national and international tours of Fosse and Crazy for You. She has appeared regionally in Party Come Home, Wing It!, and Anything Goes (Williamstown Theatre Festival), and has studied with the Atlantic Theater Company and Ann Reinking's Broadway Theatre Project. Ms. Turner received her B.F.A. from Missouri State University.
back to top
Marc Vietor (Headwaiter) played Morris Dixon in Present Laughter last season at the Huntington. More recently he appeared in Garland Wright's adaptation of Edward The Second for Red Bull Theater at the Peter Jay Sharp Theater. His other New York credits include Two Gentlemen of Verona (New York Shakespeare Festival); The Molière Comedies (Roundabout Theatre Company); Lassie, Come Here (Lucky Playhouse); The Libertine (Theatre Row); The Revenger's Tragedy (Red Bull Theater); The Merchant Of Venice, The Jew of Malta, and King John (Theatre for a New Audience). Also he has appeared in productions of Company (The Kennedy Center Sondheim Celebration), West Side Story (European Tour), Valued Friends (Long Wharf Theatre), Rough Crossing (The Old Globe), The Lively Lad (Humana Festival at Actors Theatre of Louisville), Mr. Marmalade (South Coast Repertory), and Lady in the Dark (Prince Music Theater). Mr. Vietor has appeared in the film Asylum Seekers and the television series "Law & Order." He is a graduate of Yale College.
back to top
Joe Masteroff (Book) is best known as the book writer for the Tony Award-winning Cabaret. His work as been represented in New York City by the play The Warm Peninsula, the libretto for an operatic version of Eugene O'Neill's Desire Under the Elms, the book and lyrics for Six Wives, and the book for She Loves Me. Mr. Masteroff also wrote the musical Paramour, based on Jean Anouilh's The Waltz of the Toreadors.
back to top
Jerry Bock's (Music) early success came with Catch a Star and Mr. Wonderful starring Sammy Davis, Jr. His first collaboration with long-time writing partner Sheldon Harnick was The Body Beautiful. Together, the pair created the shows The Body Beautiful, Fiorello! (winner of the Tony Award, New York Critics Circle Award, and Pulitzer Prize for Drama), Tenderloin, She Loves Me, Fiddler on the Roof (winner of 9 Tony Awards including Best Musical), The Apple Tree, and The Rothschilds. He is an inductee into the Theatre Hall of Fame.
back to top
Sheldon Harnick's (Lyrics) career began in the 1950's with songs in revues that appeared both on and Off Broadway, such as "The Boston Beguine" and "The Merry Little Minuet." Along with collaborator Jerry Bock, Mr. Harnick created a number of memorable musicals including The Body Beautiful, Fiorello (winner of the Tony Award, New York Critics Circle Award, and Pulitzer Prize for Drama), Tenderloin, She Loves Me, Fiddler on the Roof (winner of 9 Tony Awards including Best Musical), The Apple Tree, and The Rothschilds. His other collaborations included Rex (Richard Rodgers), A Christmas Carol (Michel Legrand), A Wonderful Life (Joe Raposo), The Phantom Tollbooth (Arnold Black/Norton Juster), and The Audition (Marvin Hamlisch). He also wrote two musicals himself entitled Dragons and A Doctor in Spite of Himself.
back to top
Nicholas Martin, (Director) as Artistic Director of the Huntington Theatre Company, has directed Present Laughter, Persephone, The Cherry Orchard, Love's Labour's Lost (Elliot Norton Award, Best Director), The Sisters Rosensweig (IRNE Award, Best Director), Laughing Wild, The Rivals (IRNE Award, Best Director), Sonia Flew (IRNE Awards, Best Play and Best Director), The Rose Tattoo, Butley, Springtime for Henry, A Month in the Country, Observe the Sons of Ulster Marching Towards the Somme, Betty's Summer Vacation (Elliot Norton Award, Best Director), Hedda Gabler, Fully Committed, and Dead End for the Huntington. His New York credits include 2006's Broadway production of Butley starring Nathan Lane, as well as the Broadway productions of Match and Hedda Gabler with Kate Burton; Observe the Sons of Ulster... (Lucille Lortel and Outer Critics Circle nominations), Chaucer in Rome, The Time of the Cuckoo (Lincoln Center Theater); Fully Committed (Vineyard Theatre); Bosoms and Neglect (Signature Theatre); Sophistry, Betty's Summer Vacation (Playwrights Horizons; OBIE Award, Drama Desk nomination); You Never Can Tell, The Rehearsal (Roundabout Theatre Company); Full Gallop, Overtime (Manhattan Theatre Club); and Oblivion Postponed (Second Stage Theatre). His extensive regional credits include Dead End at the Ahmanson Theatre, 2 Lives at the Lyric Stage Company of Boston, as well as productions of Full Gallop in Los Angeles, San Francisco, London, and at The Old Globe, where he also directed Macbeth with Victor Garber and Later Life. Mr. Martin is the incoming artistic director of the Williamstown Theatre Festival where he recently directed Kate Burton in The Corn is Green, as well as A Midsummer Night's Dream, Where's Charley?, The Royal Family, and Camino Real, among other plays. He was featured as one of the Top Creative People in the Country in Entertainment Weekly's annual "It List," and is a professor at Boston University. Mr. Martin's premiere of Paul Rudnick's play, The New Century, is currently running at Lincoln Center Theater.
back to top
Denis Jones (Choreographer) has served as director and choreographer of Broadway Bares, benefiting Broadway Cares/Equity Fights AIDS for the past three years. He was the associate choreographer to Jerry Mitchell for Broadway's Legally Blonde and Dirty Rotten Scoundrels. Mr. Jones choreographed the Broadway concerts of The Best Little Whorehouse in Texas, On the Twentieth Century, and A Wonderful Life, as well as Charles Busch and Julie Halston: Together on Broadway for the Actor's Fund of America. His recent projects as choreographer include The Boy Friend (Maltz Jupiter Theatre/Riverside Theatre, Carbonell Award for Best Choreography), Thoroughly Modern Millie (The Cape Playhouse), Meet Me in St. Louis (Paper Mill Playhouse), and Everybody Loves a Winner (Westport Country Playhouse). His other credits include directing three National Corporate Theatre Fund Galas honoring Chita Rivera, John Lithgow, and Elaine Strich, choreographing the Julie Harris tribute for the "Kennedy Center Honors," "Queer Eye for the Straight Guy," You Might As Well Live for the New York Musical Theatre Festival, Broadway by the Year, True Colors at Lincoln Center starring Cyndi Lauper, and the national tour of Legends. Mr. Jones also directed and choreographed Life is a Cabaret, as well as Alice Ripley and Emily Skinner's reunion concert, both at Town Hall.
back to top
Charlie Alterman (Musical Director) made his Broadway debut as musical director and conductor for Martin Short: Fame Becomes Me (where he also understudied the male roles). His additional work on Broadway includes Avenue Q, Legally Blonde, and Brooklyn. Mr. Alterman conducted the national tour of Grease starring Frankie Avalon, which played two engagements at the Wang Theatre. His Off Broadway credits include Almost Heaven: Songs of John Denver and Silence! The Musical. His regional work includes the world premieres of Most Wanted (La Jolla Playhouse) and Charles Strouse's You Never Know (Trinity Repertory Company), and eight seasons with the Williamstown Theatre Festival on such shows as Noël Coward's Tonight at 8:30 (directed by Michael Greif), Cabaret and Main (directed by Christopher Ashley), and the acclaimed late night all-star cabaret series hosted by Lewis Black. His concert appearances include shows with Dana Reeve, Billy Porter, Carol Woods, and Ken Page. He is a graduate of Brown University.
back to top
James Noone (Scenic Designer) previously designed Rabbit Hole, Les Liaisons Dangereuses, Burn This, The Rose Tattoo, Ain't Misbehavin', Springtime for Henry, Fully Committed, and Dead End for the Huntington. He has designed scenery for the Broadway productions of A Bronx Tale, Come Back Little Sheba, Match, A Class Act, Judgment at Nuremberg, Urban Cowboy, Jekyll and Hyde, The Rainmaker, Night Must Fall, Getting and Spending, The Sunshine Boys, The Gin Game, and Inherit the Wind. His Off Broadway credits include The Time of the Cuckoo, Hotel Suite, Fully Committed, Full Gallop, Three Tall Women, The Boys in the Band, Cowgirls, Breaking Legs, The Women In Black, and Frankie and Johnny in the Claire de Lune, as well as productions at Manhattan Theatre Club, Vineyard Theatre, Second Stage Theatre, Playwrights Horizons, and many others. His work has been presented at most major regional theatre and opera companies in America. Mr. Noone is the recipient of the L.A. Ovation Award, Drama Desk Award, American Theatre Wing Design Award, and Helen Hayes Design Award.
back to top
Robert Morgan (Costume Designer) served as director of the Theatre Division at Boston University's College of Fine Arts from 1987 to 1992. For the Huntington, he has designed scenery for The Importance of Being Earnest (1993); costumes for Third (2007); The Cherry Orchard (2006) and The Sisters Rosensweig (2005) both for director Nicholas Martin; and Don Juan (1988), Heartbreak House (1986), and Saint Joan (1986), all for director Jacques Cartier. Mr. Morgan's work on Broadway includes How the Grinch Stole Christmas, The Full Monty, Imaginary Friends, I'm Not Rappaport, and Sherlock's Last Case. Off Broadway he has designed costumes for Pride's Crossing (Lincoln Center Theater) and The Loves of Anatol (Circle in the Square). His television credits include "The Skin of Our Teeth" and "A Christmas Carol" for PBS's "American Playhouse." For thirty-five years he has designed for theatres throughout the country including The Old Globe in San Diego, where he is a founding associate artist.
back to top
Kenneth Posner (co-Lighting Designer) previously designed the Huntington's production of Dead End. He has designed for over 30 Broadway plays and musicals including Wicked, Hairspray, Dirty Rotten Scoundrels, Legally Blonde, The Odd Couple, Little Women, The Goat, Uncle Vanya, and The Rose Tattoo. She Loves Me marks his tenth collaboration with Nicholas Martin. Mr. Posner received the 2007 Tony Award for Lincoln Center Theater's production of The Coast of Utopia: Shipwreck.
back to top
Philip Rosenberg's (co-Lighting Designer) recent lighting design credits include The Lady in Question (Bay Street Theatre), Cymbeline (Chicago Shakespeare Theater), and Bury the Dead (Illinois State University). For the New York Musical Theatre Festival last summer, Mr. Rosenberg designed Emma, The Yellow Wood, and Gemini the Musical. He has spent much of the last 10 years as an associate lighting designer on Broadway. His associate credits include November, The Pirate Queen, The Caine Mutiny Court-Marshall, The Odd Couple, The 25th Annual Putnam County Spelling Bee, Dirty Rotten Scoundrels, Spamalot, Bombay Dreams, The Graduate, Man of La Mancha, Hairspray, The Crucible, 42nd Street, The Rocky Horror Picture Show, The Music Man, The Civil War, On the Town, and Triumph of Love.
back to top
Drew Levy (co-Sound Designer) previously designed Present Laughter, The Cherry Orchard, Love's Labour's Lost, The Sisters Rosensweig, Burn This, and the world premiere of Sonia Flew for the Huntington. His New York credits include Rainbow Kiss (The Play Company); Adding Machine and Rock Doves (Irish Arts Center); Armed & Naked in America and The Mistakes Madeline Made (Naked Angels); Dutchman (Cherry Lane Theater); Emergence-SEE! (The Public Theater); The Voyage of the Carcass (SoHo Playhouse); Sonia Flew and Training Wisteria (Summer Play Festival); as well as associate and assistant designs on Broadway for The 39 Steps, Cymbeline, and The Apple Tree. Mr. Levy's other regional designs include Shipwrecked! (Long Wharf Theatre), and The Corn is Green, Crimes of the Heart, Eurydice, The Chekhov Cycle, Ubu the King, King Stag, and Greylock Theatre Project (Williamstown Theatre Festival). He holds an M.F.A. from Boston University.
back to top
Tony Smolenski IV (co-Sound Designer) designed for the Broadway production of Cymbeline. His Off Broadway design credits include The Adding Machine, Walmartopia, Dutchman, Mimi Le Duck, Satellites, Everything Bad & Beautiful, Measure for Pleasure, I Love You Because, Indoor/Outdoor, Almost Maine, and Mr. Marmalade. Regionally, Mr. Smoleski has designed for August Wilson's 20th Century (The Kennedy Center), as well as The Lady in Question and The Night Season (Bay Street Theatre). He is a graduate of SUNY New Paltz.
back to top
Alaine Alldaffer, C.S.A., (Casting Director) is the casting director for Playwrights Horizons. She cast "Knights of Prosperity" for ABC, Walmartopia the Off Broadway musical, and is currently casting Sand for the Women's Project in New York City. Past credits include productions for Soho Repertory Theatre and The Flea Theater in New York City, and the Long Wharf Theatre in Connecticut. Her past associate credits include "Ed" (NBC), "Monk" (USA), the Broadway production of A Raisin in the Sun, and Heights, a feature film for Merchant Ivory. Ms. Alldaffer works alongside associate Lisa Donadio.
back to top
Matthew Silver (Production Stage Manager) has Broadway credits that include The Beauty Queen of Leenane, Care Taker, James Joyce's The Dead, and The Lonesome West. His Off Broadway credits include Conversations in Tusculum, Madame Melville, My Life with Albertine, Ricky Jay & His 52 Assistants, Ricky Jay: On the Stem, Rodney's Wife, and Spalding Gray: Stories Left to Tell. Mr. Silver has also worked on the touring productions of James Joyce's The Dead, 52 Assistants, and The Music of Andrew Lloyd Webber. He has stage managed special events, and has spent 7 seasons with the Williamstown Theatre Festival. Mr. Silver is a member of the Atlantic Theater Company, and has worked on many, many shows with them. He has also stage managed in England and Australia.
back to top
Eileen Ryan Kelly (Stage Manager) has Huntington credits that include Shining City, Third, Brendan, Present Laughter, Well, The Cherry Orchard, Rabbit Hole, Radio Golf, Love's Labour's Lost, The Hopper Collection, Les Liaisons Dangereuses, The Sisters Rosensweig, Falsettos, 36 Views, Sonia Flew, and Bad Dates. Her other credits include productions at Williamstown Theatre Festival, Boston Playwrights' Theatre, Olney Theatre Center, and Commonwealth Shakespeare Company. Ms. Kelly is an alumna of Boston University's College of Fine Arts.