Peter DuBois is in his eighth season as Artistic Director at the Huntington where his directing credits include Stephen Sondheim’s A Little Night Music, the world premieres of Lydia R. Diamond’s Smart People, Evan M. Wiener’s Captors, Stephen Karam’s Sons of the Prophet (2012 Pulitzer finalist), Bob Glaudini’s Vengeance is the Lord’s, and David Grimm’s The Miracle at Naples; the regional premieres of Stephen Belber’s The Power of Duff and Gina Gionfriddo’s Becky Shaw and Rapture, Blister, Burn; Craig Lucas’ Prelude to a Kiss; A. Rey Pamatmat’s after all the terrible things I do; and later this season the world premiere of Gina Gionfriddo’s Can You Forgive Her? His New York credits include The Power of Duff with Greg Kinnear (New York Stage and Film); the premiere of Rapture, Blister, Burn (Playwrights Horizons, 2013 Pulitzer finalist); Sons of the Prophet (Roundabout Theatre Company); Modern Terrorism, Becky Shaw (2009 Pulitzer finalist), Trust with Sutton Foster and Zach Braff, and All New People (Second Stage Theatre); Measure for Pleasure, Richard III with Peter Dinklage, Biro, and Mom, How Did You Meet the Beatles? (The Public Theater/ NYSF); and Jack Goes Boating with Philip Seymour Hoffman and The View From 151st Street (LAByrinth Theater Company/The Public Theater). Regional US, UK, and West End credits include productions at Hampstead Theatre, Duke of York’s Theatre, Almeida Theatre, American Conservatory Theater, Trinity Repertory Company, Humana Festival of New Plays, Manchester Opera House, and Kings Theater Glasgow. He served for five years as associate producer and resident director at The Public Theater, preceded by five years as artistic director of the Perseverance Theatre in Juneau, Alaska. Mr. DuBois lived and worked in the Czech Republic where he co-founded Asylum, a multi-national squat theatre in Prague. His productions have been on the annual top ten lists of The New York Times, Time Out, New York Magazine, The New Yorker, Newsday, Variety, Entertainment Weekly, The Evening Standard, The Boston Globe, and The Improper Bostonian.
(As of October 2015)