Mark Bennett has Huntington credits that include A Confederacy of Dunces, Vanya and Sonia and Masha and Spike, The Seagull, Persephone, The Rose Tattoo, and Dead End. His Broadway scores include Macbeth, Vanya and Sonia and Masha and Spike, Dead Accounts, Driving Miss Daisy, A Steady Rain, The Coast of Utopia (2007 Drama Desk Award for Outstanding Music in a Play), Henry IV, Golda’s Balcony, and The Goat or, Who Is Sylvia?, among others. Mr. Bennett’s Off Broadway credits include The City of Conversation, The New Century, Chaucer in Rome, and The Time of the Cuckoo (Lincoln Center Theater) and An Iliad (Obie Award), Valhalla, Mad Forest, and My Children! My Africa! (New York Theatre Workshop). He wrote original scores for eight Shakespeare in the Park productions as well as The Seagull and Dogeaters (The Public Theater/ NYSF). His regional theatre productions include Resurrection Blues (Guthrie Theater); A Midsummer Night’s Dream (Craig Noel Award), An Iliad (Craig Noel Award), His Gal Friday, and Most Wanted (composer and co-lyricist) (La Jolla Playhouse); Twelfth Night, Golda’s Balcony, Pygmalion, and Vanya and Sonia and Masha and Spike (The Old Globe); and Dead End, Without Walls, and The House of Bernarda Alba (Center Theatre Group, Los Angeles). Mr. Bennett was the composer for Sam Mendes’ The Bridge Project (Brooklyn Academy of Music and The Old Vic Theatre). He is the recipient of a 1998 Obie Award for Sustained Excellence of Sound Design, a 1998 Bessie Award, the Ovation Award, the American Theatre Wing Henry Hewes Design Award, and 14 Drama Desk Award nominations.
(As of October 2015)