Cristina Todesco designed Milk Like Sugar, Circle Mirror Transformation (one of the three plays she designed in The Shirley, Vermont Play Festival), The Long and Winding Road, and The Atheist for the Huntington. Recent designs include Chill (Merrimack Repertory Theatre), Hand to God (SpeakEasy Stage Company), Red Noses (Boston Conservatory at Berklee), and The Totalitarians (Gloucester Stage Company). Other theatre credits include productions at the ART Institute, Boston Playwrights’ Theatre, Boston Symphony Orchestra at Symphony Hall and Tanglewood, Commonwealth Shakespeare Company, Harbor Stage Company, Israeli Stage, Lyric Stage Company, Olney Theatre Center, Orfeo Group, Stoneham Theatre, Summer Play Festival, Wheelock Family Theatre, Williamstown Theatre Festival, Culture Project, and Opera Boston. She is a four-time recipient of the Elliot Norton Award for Outstanding Design for The Clean House (New Repertory Theatre), The Aliens and The Flick (Company One Theatre), and Twelfth Night (Actors’ Shakespeare Project). Ms. Todesco is an MFA graduate of Boston University’s School of Theatre Arts where she also teaches.
(As of March 2017)