Candice Donnelly previously worked at the Huntington on Private Lives. She has Broadway credits that include Our Country’s Good, Fences, Hughie, Search and Destroy, and Mastergate. Her Off Broadway credits include Harbor (Primary Stages), As You Like It and The Skin of Our Teeth (The Public Theater/NYSF), Haroun and the Sea of Stories and La Finta Giardiniera (New York City Opera), and Fires in the Mirror and The Skin of Our Teeth (The Public Theater/NYSF and Primary Stages), among others. Her recent credits include Hamlet and Rosencrantz and Guildenstern are Dead (The Acting Company), Into the Woods (Centerstage and Westport Country Playhouse), Julius Caesar and The Comedy of Errors (Guthrie Theater), She Loves Me (Westport Country Playhouse), and ’Tis Pity She’s a Whore, The Circle, and Happy End (American Conservatory Theater). Other credits include Autumn Sonata (Yale Repertory Theatre), Endgame (Brooklyn Academy of Music), The Wiz, The Importance of Being Ernest, and The Three Sisters (Centerstage), Edgardo Mine (Guthrie Theater), and La Noviciade Rebelde in Buenos Aires. Additionally, she has designed shows for Hong Kong Opera, Minnesota Opera, Flemish National Opera, Berkeley Repertory Theatre, and the Williamstown Theatre Festival.