Anita Yavich returns to the Huntington after working on Boleros for the Disenchanted and The Miracle at Naples. Broadway credits include Venus in Fur, Chinglish, and Anna in the Tropics. New York credits include Big Love, Kung Fu, Golden Child, Iphigenia 2.0 (Signature Theatre); The Oldest Boy (Lincoln Center Theater); The (curious case of the) Watson Intelligence (Playwrights Horizons); Tales From Red Vienna and The Explorers Club (Manhattan Theatre Club); The Submission, Coraline, and The Wooden Breeks (Manhattan Class Company); Lives of the Saints and All in the Timing (Primary Stages); The Caucasian Chalk Circle, Orlando, Venus in Fur, New Jerusalem, and Texts for Nothing (Classic Stage Company); Measure for Pleasure, Kit Marlowe, The Winter’s Tale, Civil Sex, and Pericles (The Public Theater/ NYSF); and Macbeth, Coriolanus, and Svejk (Theatre for a New Audience). Her opera credits include Cyrano de Bergerac (La Scala, The Metropolitan Opera, and Royal Opera House), Les Troyens (The Metropolitan Opera), and she was the puppet and costume designer for The Sound of Music (Salzburger Marionette Theatre). She was the recipient of an Obie Award in 2006.
(Updated Feb 2015)