Nicholas Martin (Artistic Director) has directed Love's Labour's Lost, The Sisters Rosensweig (IRNE Award, Best Director), Laughing Wild, The Rivals (IRNE Award, Best Director), Sonia Flew (IRNE Awards, Best Play and Best Director), The Rose Tattoo, Butley, Springtime for Henry, A Month in the Country, Observe the Sons of Ulster Marching Towards the Somme, Betty's Summer Vacation (Elliot Norton Award, Best Director), Hedda Gabler, Fully Committed, and Dead End for the Huntington. His New York credits include the upcoming Broadway production of Butley starring Nathan Lane, as well as Match and Hedda Gabler (also on Broadway); Observe the Sons of Ulster... (Lucille Lortel and Outer Critics Circle Award Nominations), Chaucer in Rome, The Time of the Cuckoo (Lincoln Center Theater); Fully Committed (Vineyard Theatre); Bosoms and Neglect (Signature Theatre); Sophistry, Betty's Summer Vacation (Playwrights Horizons; OBIE Award, Drama Desk Nomination); You Never Can Tell, The Rehearsal (Roundabout Theatre Company); Full Gallop, Overtime (Manhattan Theatre Club); Oblivion Postponed (Second Stage Theatre); and It Changes Every Year (Malaparte Theatre Company).

His extensive regional credits include Dead End at the Ahmanson Theatre, the world premiere of Arthur Laurents' 2 Lives at The Lyric Stage Company of Boston, as well as productions of Full Gallop in Los Angeles, San Francisco, London, and at The Old Globe, where he also directed Macbeth with Victor Garber and Later Life. Mr. Martin was a recipient of the TCG National Artist Residency Grant with the Williamstown Theatre Festival where he directed A Midsummer Night's Dream, Where's Charley?, The Royal Family, and Camino Real, among other plays. He was featured as one of the Top Creative People in the Country in Entertainment Weekly's annual "It List," and is a professor at Boston University.

Michael Maso (Managing Director) has served as the Huntington's managing director since 1982, overseeing all fiscal and administrative operations, producing more than 125 plays, and leading the Huntington's ten-year drive to build the Stanford Calderwood Pavilion at the Boston Center for the Arts, which opened in September, 2004. Mr. Maso is the immediate past president of the League of Resident Theatres (LORT), an association of 70 of the country's major not-for-profit professional theatres. Last year, Mr. Maso was named as one of a dozen members of the inaugural class of the Barr Fellows Program. He received the 2005 Commonwealth Award, the state's highest arts honor, in the category of Catalyst, and was honored by the Boston Herald as 2004 Theatre Man of the Year. In 2000, Mr. Maso was honored with the Norton Prize for Sustained Excellence at Boston's Elliot Norton Awards. He has served as a member of the board of directors of Theatre Communications Group (TCG), the national service organization for not-for-profit theatre, and as a site visitor, panelist, and panel chairman for the National Endowment for the Arts.

Locally, Mr. Maso is a member of the board of directors of ArtsBoston. He previously served as chairman of the Cultural and Scientific Directors Group, as a member of Mayor Menino's Advisory Task Force for Cultural Planning, as a trustee of the Massachusetts Advocates for the Arts, Sciences, and Humanities (MAASH) and StageSource, as a member of the Boston Foundation's Cultural Task Force, and as Program Consultant for the Arts Leadership Initiative of Business Volunteers for the Arts. In 2000, Mr. Maso was honored with the Norton Prize for Sustained Excellence at Boston's Elliot Norton Awards. Prior to coming to the Huntington, Mr. Maso spent three seasons as the managing director of the Alabama Shakespeare Festival. He has also been the general manager of New York's Roundabout Theatre Company, business manager for PAF Playhouse on Long Island, and an independent arts management consultant based in Taos, New Mexico. Mr. Maso is an associate professor of theatre at Boston University.